Collectively referred to as the Scene. It is a subculture of different computer activities where participants actively share ideas and creations.
Historically, the Scene consisted of communities of computer users engaged in particular activities but often loosely grouped.
The loose grouping of Scene activities comes from the era when the Internet was inaccessible to the general public. Bulletin Board Systems were the principal means for savvy computer users to connect online, communicate and exchange data. To encourage more people to use their services, boards often hosted various computer-specific activities and subjects. It led to online communities engaged in some intertwined topics that evolved, were grouped, and became the Scene.
The sharing of software with its copy-protection removed gets defined as warez. In the early days of microcomputing, the removal of copy protection by cracking software was not unlawful. However, this has long since changed, and the sharing of commercial software and media for free is illegal.
Hacking h/p/a/vHacking should not be confused with software cracking, it is the unorthodox manipulation or exploration of most things computer-related. Online texts and tools for hacking were often combined with those on phreaking, anarchy, and computer virus creation, using the h/p/a/v classification. Today this grouping has fallen out of favor, especially the modern association of anarchy text files and computer viruses that get easily misconstrued for activities against nation-states.
Demozoo is the world's largest database of Scene-produced productions covering all fields, including art, demo, music, people, groups, and BBSes.
Pouet is where the artists of the demoscene hang out online. The 'oldskool pouet.net bbs' is the most active forum on the Scene. Most new demo and intro productions are posted online in their 'Prods' section for peer review and criticism.
Sixteen Colors 16colors
16colors is the online gallery for ASCII, ANSI, and other text-based art forms. It is probably the most active corner on the Internet for ASCII art and its artists.
Most likely the largest repository of scene art on the Internet. Its primary purpose is to host files, so there is no fluff such as user ratings or reviews. It is an excellent resource when knowing what to find but a little daunting for everyone else.
ASCII Arena is where the plain-text arts community hang out and peer review artwork.
Is an online gallery that takes classical text art and looks at how it relates to a modern context.
When most people think of digital piracy, the phrases that likely come to mind are “Bittorrent”, “Napster”, and “The Pirate Bay”; the popular manifestations and accessible incarnations of home copyright violation. However, this is a poor reflection of a submerged and elite culture of an underground piracy scene that for several decades has operated on a secretive and hierarchical basis of suppliers, couriers, release groups, and “topsites”. The true “warez scene” as it is known, is undetected by the general public, but well-acquainted with high-level law enforcement. This book offers the first academic study of the gigabytes of digital material surfaced by “The Scene” in the form of ASCII .nfo files and DemoScene executables from the Defacto2 archive, charting the structure, organization, and history of the criminal underground networks that race to release material before their competitors with bleeding-edge technology and connections.
A Pirate's Life for Me
Jimmy Maher, published author of The Future Was Here: The Commodore Amiga and The Digital Antiquarian, has written two excellent articles on early pirating and the pirate scenes on both the Apple II and Commodore 64 computers.
Jason Scott is the producer of the excellent and well-received BBS Documentary, whereas Rad Man is the founder of the famous art scene group ACiD. In April of 2004, they teamed up at the Cleveland Notacon Conference and gave a 50-minute presentation
100 Years of the Computer Art Scene. The presentation can be downloaded and listened to in MP3 format, plus there is a text transcript available. The site also has excellent examples of early computer artwork, from old mainframe printouts to massive modern ANSI.
Ever since the days of the IBM PC 8088 and C64, personal computers have been used for much more than word processing and data entry. Artists around the world have found computer art to be less expensive and much less restrictive than traditional paint and canvas.