The Non-Mainstream Music Report, 7/2004
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2004 July
- Text / Magazine
- HiT2000, writer credits
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"HiGH ▀ iNTELLiGeNCE tRoLLS"
________________________________________________________________________________
Welcome to HiT2k's new biweekly non-mainstream music report!
Heavy love to the scene, no hate, and extra props for those taking the
time to read here.
To start off: this is not a 'hater' magazine, and we aren't trying to
insult or bring anyone down with it.
our aim is pure and easy: to bring the scene's attention back to the music!
All here at HiT2k are lovers of music, with no politics or dramatic baggage.
We just want to share the love!
That is why, every 2 weeks, we'll compile a list of the best non-mainstream
records released in the scene, and give you all the info you need to decide
whether or not you want to hear them. We do this because, each day, records
slip under the radar because people may not know the name on the album --
but that doesn't mean they wouldn't love the music inside.
We feel it's time for 'our' music -- non-mainstream, underground, whatever
you want to call it -- to push forward and be heard by more ears around the world.
We hope this report can turn you on to things you may not have found otherwise,
and perhaps cause some people to expand their opinions of what they call 'music.'
It is important we stress, however, that we won't always be able to list all
of the scene's great releases each week. Because of this, we call on other
dedicated groups to start their own reports, magazines, etc.
There are hundreds of albums released each day, but so little information provided!
More information distributed means more knowledge, and more knowledge means smarter,
better-educated listeners.
And even though we don't get to say it enough in the nfo's: support the artists!!
It goes without saying that these are not millionaire pop stars, and they need to
sell records in order to be able to create more of them.
With all that said, please, enjoy the report. :)
A list of our suggested releases July 1-20, 2004:
________________________________________________________________________________
Release Name: Jack_Rose--Raag_Manifestos-2004-HiT2000
Release Date: 2004-07-01
Label Info and Catalog #: VHF Records #85
Artist/Album Info:
"Compiled from a variety of sources, Raag Manifestos cuts
across various acoustic styles much like Rose's Opium Musick
LP, but with a more aggressive attack. 'Black Pearls from the
River' and 'Hart Crane's Old Boyfriends' are dense, serious
assaults on the 12-string, with the intensity of the latter
enhanced by Ian Nagoski's roaring electronic backdrop. With
subtle tabla accompaniment by Eric Carbonara, 'Crossing The
Great Waters,' is another epic modal journey in the style of
Pelt's 'Road To Catawba' and Rose's own 'Red Horse.' The
traditional 'Blessed Be the Name of the Lord' finishes off the
CD on a calming note. In mini-gatefold." Limited edition. Vinyl
pressing of this on Eclipse due out this summer.
www.vhfrecords.com
________________________________________________________________________________
Release Name: Clogs--Thoms_Night_Out-2001-HiT2000
Release Date: 2004-07-11
Label Info and Catalog #: Brassland (HWY-002)
Artist/Album Info:
Clogs are four classical musicians from Australia and the US.
Their chief composer, Padma Newsome (viola/violin), was born in
the red center of Australia, the son of a writer and an
ecologist. In the early '80s he trained and performed as a
concert violist in Sydney. He retired early, however, spending
the next six years on an ashram in the remote region of New
South Wales. Newsome began composing in the '90s at the
University of Adelaide, and was awarded a Fulbright scholarship
to study at the world renowned Yale School of Music. There he
met Bryce Dessner (guitar/composer/The National), Rachael
Elliott (bassoon), and Thomas Kozumplik (percussion), who round
out the quartet.
Thom's Night Out met with unanimous critical accolades when it
was released in the United States in 2001, garnering
comparisons to artists as diverse as Arvo Part, Sigur Ros, and
Godspeed You Black Emperor! The Wire celebrated its' "eerie,
looping folk melodies...delicately bowed and struck strings
[and] beautiful 'lost at sea' effect." Careless Talk Costs
Lives said, "What d'ya call yr contemporary classical outfit
with pretensions to be Satie, Stravinsky, Sigur Ros, and a more
approachable Godspeed? Clogs. Sweet." The New Yorker: "fans of
the Rachel's, and other post-rock ensembles who know how to
listen in respectful silence to a live performance will have no
trouble appreciating the softly evocative compositions."
Philadelphia City Paper wrote that "few new CDs in any genre
will do as much to challenge the way you listen to music."
http://www.clogsmusic.com/
http://www.brassland.org
________________________________________________________________________________
Release Name: Wildflowers--The_Complete_New_York_Loft_Jazz_Sessions-3CD-1976-HiT2000
Release Date: 2004-07-18
Label Info and Catalog #: Knitting Factory #3037
Artist/Album Info:
Originally released as five separate albums under the title
Wildflowers: The New York Loft Sessions on Casablanca records
in 1976, this single disc compilation contains ten tracks from
those monumental sessions reissued by Knit Classics. Recorded
May 14 through 23, 1976, at Sam Rivers' studio/loft/home
Rivbea, featuring a collective of free jazz players who were
having a hard time getting paying gigs. The entire disc is
highlighted by a roster of legends including Hamiet Bluiett,
Dave Burrell, Kalaparusha Maurice McIntyre, Sunny Murray, Randy
Weston, Byard Lancaster, David Murray, Anthony Braxton, Julius
Hemphill, and Ken Mcintyre. Listening to these recordings years
after their initial release proves that while these musicians
were certainly experimental, they were also obviously steeped
in musical traditions like blues and gospel, which was lost on
a jazz public turned off by their flashes of unhinged energy.
________________________________________________________________________________
Release Name: Locus_Solus--50th_Birthday_Celebration_Volume_3-2004-HiT2000
Release Date: 2004-07-12
Label Info and Catalog #: Tzadik, #5003
Artist/Album Info:
Continuing Tzadik's series of live recordings from Zorn's 50th
birthday month is this classic reunion of three downtown legends,
Arto Lindsay (Ambitious Lovers), Anton Fier (Golden Palominos)
and John Zorn (Naked City). There has never been a band quite
like Locus Solus. Dating back to 1982, the music of these
improvised rock units is still as fresh as the day they first
hit, and seems to get better with age. This high intensity set
features all three players at their very best. Strangled vocals,
loping grooves and structural complexity make these improvised
rock songs a continual delight. A fascinating and charming set
of tension, love, ideas, communication and miscommunication.
Arto Lindsay: voice, guitar
John Zorn: alto saxophone
Anton Fier: drums
________________________________________________________________________________
Release Name: Luc_Ferrari--Cellule_75-1998-HiT2000
Release Date: 2004-07-13
Label Info and Catalog #: Tzadik, #7033
Artist/Album Info:
Luc Ferrari is one of the most important and original personalities
in the history of French "musique concrete." Irreverent,
psychosexual and always fascinating, Ferrari's work manifests
itself in texts, instrumental textures, electroacoustic
compositions, reportings, films, theater, etc. It is an honor for
Tzadik to release two of his most important works from the 1970's,
recorded under the supervision of the composer himself. Place des
Abbesses, the first electro acoustic work realized at his home
studio in Paris, 1977, is an evocative portrait of a small square
between The Sacred Heart of God and Saints and the Pigalle of
licentiousness and sex, two familiar Ferrari obsessions. Cellule
75 is an explosive, dynamic work for piano, percussion and tape,
balancing improvisational spontaneity with the more exact writing
of classical forms. The first U.S. release of this important
composer.
Luc Ferrari: composer
Chris Brown: piano
William Winant: percussion
________________________________________________________________________________
Release Name: Mount_Eerie--Seven_New_Songs_of_Mount_Eerie-2004-HiT2000
Release Date: 2004-07-14
Label Info and Catalog #:
Artist/Album Info:
This is a new, extremely limited CD intended to be sold at shows
in Australia. The thing was entirely recorded at the Department of
Safety and was put out by Phil himself.
Limited to 200 copies, sold out.
________________________________________________________________________________
Release Name: Marissa_Nadler--Ballads_Of_Living_and_Dying-2004-HiT2000
Release Date: 2004-07-19
Label Info and Catalog #: self-released
Artist/Album Info:
Velvet voiced ambient murder ballads and goergeous sensitive
finger-style, drone psychedelia, ethereal reverberations,
gorgeous music; Leonard Cohen as a sexy voiced female,
reincarnated with the spirit of a medieval lute player.
"Marissa's voice soars like the choir invisible," writes one
reviewer. Songwriting that is dark and haunting, sensitive and
gripping, telling stories of tragic murders and sordid love
affairs gone awry. A truly unique blend of psychedelic folk,
ambient drone, traditional, and european old time haunts.
Wearing long black dresses, the mournful, almost theatrical
performances are sexy and hypnotizing. Playing the ukelele,
banjo, harp, twelve string and six string guitars, and organ,
the result is fascinating and moving. Dark, mysterious, and
captivating.
Psych Van Hett Acid Folk Review (5/5 Stars):
So where are the labels now to release this ? Marissa's voice
reminded me at first a bit of Elizabeth Rapp, who didn't appear
on many songs of Tom Rapp's group Pearls Before Swine (back at
the end of the 60's, early 70's), but what Marissa has created
in mood is vivid here as well, be it in a more melancholic way.
The arrangements are sparse and to the essence completely
interwoven with the songs (guitar, accordion, amplified guitar,
organ, banjo, ...) Each of these songs have a variety of very
dark thoughts combined with gentle pure loveliness and absolute
care. It is hard for me to go deeper into the songtexts,
because who knows I can hardly experience the total depth of
it. And it shows deeper waters of experiences. Her
interpretation of "Annabelle Lee" on words of Edgar Allan Poe
is simply brilliant. Other favourites are "Fifty Five falls,"
(I'll be your..) "Undertaker", and "Days of Rum" with banjo.
The bonus track, simply humming and guitar I like a lot as
well: pure melancholic romance!! I lack the words. A release I
simply can not help but listen to again and again. --Gerald
Van Waes
http://www.singersong.homestead.com/folk2.html
http://www.marissanadler.com
________________________________________________________________________________
Release Name: Dreamend--As_If_By_Ghosts-2004-HiT2000
Release Date: 2004-07-13
Label Info and Catalog #: Graveface Records #010
Artist/Album Info:
This is latest album on Graveface Records
Dreamend hails from Chicago and has been compared to
established post-rock acts such as Godspeed You Black Emperor!
and Explosions in the Sky. This is their first full-length
album which beautifully contrasts wall-of-noise rock with
blissful shoegazery melodies.
http://www.dreamend.com
http://www.graveface.com
________________________________________________________________________________
Release Name: Six_Organs_Of_Admittance--For_Octavio_Paz-Reissue-2004-HiT2000
Release Date: 2004-07-10
Label Info and Catalog #: Holy Mountain 21852
Artist/Album Info:
Since the release of Six Organs of Admittance's self-titled
debut in 1998, Ben Chasny has played pure guitar within
individual songs, but For Octavio Paz is his first full record
to explore the guitar inside and out, solo and over-dubbed,
steel and nylon string (in fact, For Octavio Paz is the first
Six Organs album to feature the reverberations of a nylon
string guitar). What really sets Chasny apart from the other
modern Fahey worshipers is that Chasny's pantheon is willing to
accept a wider array of other guitarists into the lexicon -
Peter Walker or Richard Youngs, for example - not to mention
the fact that he can stand the sound of a Stratocaster. This is
the definitive guitar record from Six Organs of Admittance.
Originally released in a vinyl-only limited edition by Time-Lag
at the end of 2003, For Octavio Paz sold out instantaneously.
It was decided that the material is just too strong to belong
to so few."
www.sixorgansofadmittance.com
www.eclipse-records.com
________________________________________________________________________________
Release Name: From_Quagmire--The_Tropic_Of_Barren-2001-HiT2000
Release Date: 2004-07-08
Label Info and Catalog #: VHF Records #59
Artist/Album Info:
The Tropic Of Barren is the debut release from Virginia's From
Quagmire. A trio of Dorothy Geller, James Wolf, and Rake
guitarist Vincent Van Go-Gogh, FQ's beautiful, mysterious and
just plain weird art-song drift is a look into a rather
under-explored corner of the underground universe. The slowly
unfolding songs are based on Dorothy?s nylon string guitar and
hushed-but-pointed vocals, punctuated by Wolf's expertly sawing
violin and Van Go-Gogh's unpredictable percussion, electronics
and guitar interjections. The music is highly detailed and
performed with significant individual personality, rather than
the predictable loud-soft-repeat bombast of other contemporary
"chamber" ensembles. Geller and Wolf have done time in Camera
Obscura recording artists Laconic Chamber and the Library of
Congress (not a band). Van Go-Gogh is straight out of DC's
long-running freakazoid ensemble Rake.
http://www.vhfrecords.com
________________________________________________________________________________
Release Name: Kammerflimmer_Kollektief--Hysteria-Reissue-2004-HiT2000
Release Date: 2004-07-04
Label Info and Catalog #: quecksilber music QUECK007CD
Artist/Album Info:
Re-release of the 2001 on payola/EfA E5 released album
"Hysteria". this long-deleted Kammerflimmer Kollektief classic
feat. 15min+ of new studio recordings. An assemblage of
intriguing electro/acoustic elements, Hysteria is the newest
offering from Karlsruhe's Kammerflimmer Kollektief.
Incorporating samples, analog synths, and a plethora of
stringed instruments (including an acoustic jazz ensemble),
Hysteria taunts the fine line of control between abstraction
and realism, with a beauty that's stunning at times.
Kammerflimmer Kollektief began as the one-man experimental
excursions of Thomas Weber. Trapping ambient noise, live and
synthetic drums, guitars, strings, upright bass and keyboards
into interlocking rhythmic explosions, Weber expanded the group
to a live six piece in 1999 and has been brilliant and busy
ever since. From their Karlsruhe, Germany home base, this
ensemble effortlessly blends experimental electronic elements
and moody free-form jazz to stunning effect.
Dietrich Foth - saxophone
Johannes Frisch - double bass
Michael Str║der - drums & percussion
Anne Vortisch - synthesizer
Thomas Weber - guitar, harmonium, treatments
Heike Wendelin - violin
________________________________________________________________________________
Release Name: Islaja--Meritie-2004-HiT2000
Release Date: 2004-07-01
Label Info and Catalog #: Fonal (FR-32)
Artist/Album Info:
Islaja might well be a forgotten islet somewehere or a name of
courageous sword swinging heroine in a forgotten fable. For
one, Islaja is a certain young woman that has sang and played
an album full of heart-rending intimate music. Half a year of
quietly working in her homestudio brought about a cluster of
transcendental tunes that are now being released as an album
called Meritie.
One song Islaja whispered in a fever and another with an
oriental monkey. At times it is impossible to tell where the
sounds are coming from. The variety of instruments is vast, but
all have their space and strong belief in the power of
individual sounds can be heard. Islaja has exceptional sense of
harmony that alone can make the album a magical listening
experience.
The voice of Islaja sounds bravely over the screaming crazed
sea-gulls. It is stunningly honest. This is a great victory in
these times of sadness.
URL: http://www.fonal.com
________________________________________________________________________________
Release Name: Spaltklang--Surprise-2004-HiT2000
Release Date: 2004-07-01
Label Info and Catalog #: FAZZUL MUSIC FM 0821
Artist/Album Info:
www.fazzulmusic.ch
a jazz oriented sax
a progressive rock drumming
a chamber viola
a fusion bass
this is the spaltklang project !!
________________________________________________________________________________
Release Name: Mono_-_New-York_Soundtracks-2004-BCC
Release Date: 2004-07-14
Label Info and Catalog #: Human Highway Records, HECY-1004
Artist/Album Info:
http://www.canal.ne.jp/~sound/mono/e_f_bio.html
this is a remix album for One Step More And You Die.
________________________________________________________________________________
Release Name: Jon_Lloyd--Syzygy-1990-HiT2000
Release Name: Jon_Lloyd--Praxis-1998-HiT2000
Release Name: Jon_Lloyd--Head-1993-HiT2000
Release Name: Jon_Lloyd--Four_and_Five-1999-HiT2000
Release Name: Jon_Lloyd--By_Confusion-1997-HiT2000
Release Date: 2004-07-05
Label Info and Catalog #:
Artist/Album Info:
British alto/soprano saxophonist Jon Lloyd rose to become a notable free improviser
during the '90s, able to balance high-energy blowing with more subtly nuanced
playing; he was also a capable composer, largely in the free-bop mode, able to
give his pieces a definite structure while leaving plenty of room for improvisation.
________________________________________________________________________________
Release Name: The_Bill_Wells_Octet_Meets_Lol_Coxhill-(TXTVNL01)-LP-2001-sfE
Release Date: 2004-07-17
Label Info and Catalog #: Textile Records TXTVNL01
Artist/Album Info:
Bill wells meets lol coxhill textile vinyle serie 01
Bill Wells's Falkirk-based Octet are undoubtedly the greatest big band
currently in the Uk, although due to the logistics involved, records evidence is
thin on the ground. So this is a real thrill, the first new Octet material in years,
fronted by the legendary UK saxophonist Lol Coxhill. Coxhill has played with
everyone from Evan Parker to The damned and his sopreno sound is instantly
recognizable, xhether he's squeezing in the sublest nuances from a weepy
ballad or raising the roof with tongues of hire.
He's rarely sounded quite as possessed as he does here, pouring big metallic
sheets of breath all over Well's raucous arrangements. The bizarre loops and
jagged use of samples gives the whole set a lop-sided feel, like a weird cartoon
that's fallen slightly out of synch and the opening Sticky Parade sounds invigoratingly
like Tom and Jerry as scored by Thelonious Monk.
________________________________________________________________________________
Release Name: A_Hawk_and_A_Hacksaw-A_Hawk_and_A_Hacksaw-2003-BCC
Release Date: 2004-07-07
Label Info and Catalog #: Leaf
Artist/Album Info:
The Leaf label comes up trumps with this hugely charming debut from the oddly
titled A Hawk and a Hacksaw. Imagine, if you will, a cascade of Steve Reichian
looped piano segments intermingling with a veritable menagerie of farmyard
instruments, accordion, home made percussion, horns, bells and all manner of weird,
wonderful and hitherto unkown musical toys. The album has a free-flowing, glowing
world-cinema soundtrackish vibe and was recorded over the course of 15 months
in the Loire Valley with a variety of guest performers. If you're into Yan Tiersen,
Tom Waits, Kurt Weill, Asa-Chang & Junray, Captain Beefheart, Raymond Scott and
Carl Stalling, you'll love this heartwarming album dearly.
________________________________________________________________________________
Release Name: Fourcolor-Water_Mirror-(Staartje016)-CD-2004-BEX
Release Date: 2004-07-13
Label Info and Catalog #: Staartje016
Artist/Album Info:
After releasing several stunning albums as a part of the electro-acoustic quartet
Minamo (apestaartje/cubic music) and as 1/2 of the electronica duo Fonica
(plop/tomlab) this is Keiichi Sugimotos first widely distributed solo release as
Fourcolor. Focusing predominately on the guitar 'water mirror' blends acoustic
resonance with subtle precision to create an extremely detailed and restrained
listening experience. Sugimoto focuses on the smallest of elements using electronics
to accentuate every facit of an already tactile sound pallete. Sugimoto seamlessly
blends various threads of kinetic listening in this ever-shifting composition of
gradual movement. A difficult one to memorize, 'water mirror' is a deceptively
complex album full of warmth and rigor. The album closes with an epic 25 min
soundtrack to the film 'Frontire' by Japanese experimental filmmaker Jun Miyazaki
which will be screening at this years Cannes Film Festival. Extremely gradual music.
________________________________________________________________________________
Release Name: Sufjan_Stevens-A_Sun_Came-2nd_Edition-2004-pyt
Release Date: 2004-07-13
Label Info and Catalog #: Asthmatic Kitty
Artist/Album Info:
We call it the 2nd edition because it's been digitally
remastered, with two bonus tracks and new art.
"A Sun Came," Sufjan Steven's debut album for Asthmatic Kitty
Records, incorporates, in his words, "traditional pop music,
medieval instrumentation with Middle Eastern inflections,
tape loops, digital samples, literary vocals, manic
percussion, woodwinds, sitar, amp distortion and Arabic
chants."
Anyway enjoy Sufjan Steven's debut and be sure to check out
his other cds ... dont forget to support the artists.
________________________________________________________________________________
Release Name: VA--Java-Sunda.Country.Art.Music.2-The.Art.Of.The.Gamelan.Degung-(1972)-om
Release Date: 2004-07-16
Label Info and Catalog #: OCORA Radio France C560097
Artist/Album Info:
The music of the Sunda region of West Java collected in this recording represents
the music for the gamelan degung, a smaller "chamber" form of ensemble typical
of the region. The 12 selections are performed by two different groups; one older
professional musicians trained in the 1920s (tracks 1-5) and the other younger
musicians working to keep the tradition of degung alive (tracks 6-12). Recorded
in 1972-73. Extensive notes in English, French, and German. 72 minutes.
________________________________________________________________________________
Release Name: Lovely_Midget-North_Head-Retail-2004-OBC
Release Date: 2004-07-12
Label Info and Catalog #: Family Vineyard
Artist/Album Info:
http://www.digitalisindustries.com/foxyd/lovelym_north.html <- review
________________________________________________________________________________
Release Name: Dave_Douglas-Five-1995-JUST
Release Date: 2004-07-18
Label Info and Catalog #: Soul Note
Artist/Album Info:
Trumpeter Dave Douglas' unusual string group (which also includes violinist
Mark Feldman, cellist Erik Friedlander, bassist Drew Gross and drummer Michael Sarin)
is reminiscent in some ways of Ornette Coleman's free-jazz quartet despite not
playing any of Ornette's originals and having a very different instrumentation.
All of the musicians function as equals, the interaction is often intuitive,
and the improvising on eight Douglas originals (including tunes dedicated to
Steve Lacy, Wayne Shorter, Mark Dresser, Woody Shaw, John Cage and John Zorn),
Thelonious Monk's "Who Knows," and Rahsaan Roland Kirk's "The Inflated Tear" is
on a high level. Well worth exploring.
________________________________________________________________________________
Release Name: Zeena_Parkins_and_Ikue_Mori--Phantom_Orchard-2004-HiT2000
Release Date: 2004-07-04
Label Info and Catalog #: mego 071
Artist/Album Info:
A gentle stylistic morphing from two major figures in the
global realm of experimental sound and improv.
Zeena Parkins sits firm as a multi-instrumentalist, composer,
improviser, well-known as a pioneer of the electric harp, she
has also extended the language of the acoustic harp with the
inventive use of unusual playing techniques, preparations, and
layers of digital and analog processing
Ikue Mori has long been a stalwart of the New York
improvisation via the post punk set. Her work has seen her
evolve from drums to drum machine to laptop - how about that?
Super. As a result the language she presents is as diverse as
the wide range of people she has played with.
Now, these two swinging cats have hooked up too create a
delicate blend of organic acoustic and digital sources. Walk
deep in the woods, think far beyond the reaches of our
immediate environment. A soft mental and physical scenario in
which to bathe, absorb and (gasp horror!) relax.
Do it - do it now!
________________________________________________________________________________
Release Name: Paik-Satin_Black-2004-JCE
Release Date: 2004-07-15
Label Info and Catalog #: Strange Attractors
Artist/Album Info:
http://www.pitchforkmedia.com/record-reviews/p/paik/satin-black.shtml <- Review
________________________________________________________________________________
Release Name: Moon_Fog_Prophet-MERN3336-A_Mirror_To_The_Marble-Coated_Solar_System-2000-SER
Release Date: 2004-07-12
Label Info and Catalog #: Metamorphos
Artist/Album Info:
http://www.moonfogprophet.com/biography.html
________________________________________________________________________________
Release Name: Thurston_Moore-My_Cat_Is_an_Alien--From_The_Earth_To_The_Spheres_Vol._1-Vinyl-2004-HiT2000
Release Date: 2004-07-19
Label Info and Catalog #: Opax Records OPX LP1
Artist/Album Info:
This is the first volume of MCIAA's "From the Earth to the
Spheres" split LP series, with each volume being limited to 100
hand-painted copies -- and yr pals at HiT2k have access to
them. :) Future volumes will incluse Jackie-O Motherfucker,
Christina Carter (Charalambides), Jim O'Rourke, Thuja and more!
(Note: the hiss on Thurston's side appears on the record, and
is not the fault of yours truly, nor HiT2k. ;))
"When, in late 1997, Maurizio and Roberto Opalio from Torino,
Italy, started their musical project My Cat Is An Alien, their
need for an easy and direct way of releasing stuff which could
fit their creative urgency led the two brothers to set up a
label on their own. So, Opax Records started up releasing the
first MCIAA's recording, a cd-r special edition of 30 copies
wrapped in electric wires, which was sent to Sonic Youth in NYC
and immediately thrilled the most influential avant-rock band
since The Velvet Underground. During the past years SY
helpfully invited MCIAA several times to perform live at their
European shows; then in 2002, Thurston Moore released on his
own Ecstatic Peace label the 3-sided LP 'Landscapes of an
Electric City/Hypnotic Spaces', MCIAA's international debut,
followed by a couple of only-vinyl releases on the US labels
Starlight Furniture Co. and Eclipse Records. Now, after 6 years
of handmade cd-r editions, Opax Records has entered a new era
with its first proper official format: a new series of split
vinyl-lps entitled 'From the Earth to the Spheres.'
So, who could have opened the series better than Thurston Moore
himself? Surely, Moore is one of the few musicians in the
world who needs no introduction at all. But even the most fixed
fan & collector of his many solo records will be surprised by
this 21 minute piece called 'American Coffin'; from the
beginning, with Moore engaged in a free-piano action that
recalls both Dave Burrell's genius of the legendary 'Echo' LP
on Jazz Actuel and Stockhausen's textures of his wildest
masterpieces, the track is interpoled and fragmented by
splinters of sonic feedbacks, howling guitar and every sort of
musical collage inserts, all permeated by a cloud of dust and
debris. Because of its raw analogical recording, there's a
good load of tape hiss -- so close to Moore's aesthetics.
On the other side of the vinyl, MCIAA will project you in the
realm of the Cosmos. Their music is made of space sounds
flowing freely in both inner and outer dimensions; sound
sculptors and audiovisual artists MCIAA base most of their work
and research on purely improvised compositions, erecting
minimal textures created essentially by guitar space-drones
influenced by early American minimalism and the conceptual and
philosophical modus operandi of avant-pioneers such as John
Cage and Sun Ra. Here, in the track entitled 'Brilliance in the
outer space', MCIAA will make you lose your sense of
gravitational perception completely, with a fully emotional
vertical take-off that will dash you beyond the limits of
hyperspace. As the cover abstract shapes of concrete acrylic
painting mixed with crystals on wood suggest a free gestural
approach, the music represents a real impressive intro to the
spirit that moves the whole series: art as uncompromising
expression of liberty."
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Release Name: Double_Leopards--Urban_Concussion-Vinyl-2004-HiT2000
Release Date: 2004-07-10
Label Info and Catalog #: Qbico Records 016
Artist/Album Info:
Another heavy slab from NYC's drone darlings, Double Leopards!
"Soundtrack for deep space journeys.... if you get lost, hold
yr breath... Highly recommended!"
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Enjoy.!