The Non-Mainstream Music Report, 10/2004 (Pt. 1)
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2004 October
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· hit2k . amok . yard . tr . dps . sb . amrc . gf . drum . ser ·
· bex . bcc . mbs . its . uki . boss . upe ·
Welcome to Muzzik's biweekly non-mainstream music report! Much love to the
scene, no hate, and extra props for those taking the time to read here.
To start off: this is not a 'hater' magazine, and we aren't trying to insult
or bring anyone down with it.
Our aim is pure and simple: to bring the scene's attention back to the music!
All involved in this report are lovers of music, with no politics or dramatic
baggage, We just want to share the love!
That is why, every 2 weeks, we'll compile a list of the best non-mainstream
records released in the scene, and give you all the info you need to decide
whether or not you want to hear them. We do this because, each day, records slip
under the radar because people may not know the name on the album -but that
doesn't mean they wouldn't love the music inside.
We feel it's time for other music -- non-mainstream, underground, whatever you
want to call it -- to push forward and be heard by more ears around the world.
We hope this report can turn you on to things you may not have found otherwise,
and perhaps cause some people to expand their opinions of what they call
'music.'
The Non-Mainstream Music Report is now a joint venture, compiled by 17 groups,
but it is important we stress that we won't always be able to list all of the
scene's great releases. Because of this, we ask other dedicated groups to start
their own reports, magazines, etc. And if you're a dedicated group who feels
your vision fits in with ours, please get in touch to join up!
There are hundreds of albums released each day, but so little information
provided! More information distributed means more knowledge, and more knowledge
means smarter, better-educated listeners.
And even though we don't get to say it enough in the nfo's: support the
artists!!
It goes without saying that these are not millionaire pop stars, and they need
to sell records in order to be able to create more of them.
With all that said, please, enjoy the report. :)
*Siteops! The Non-Mainstream Music Report script -- which is available in the
accompanying zip file -- is a quick and easy way to access all of our
suggestions. By creating symlinks to all of the records listed in the report we
hope to save you time and effort while seeking out this great music.
________________________________________________________________________________
. .:[+] HiT2k [+]:. .
________________________________________________________________________________
>>> Can--Tago_Mago-Remastered-2004-HiT2000
>>> Can--Monster_Movie-Remastered-2004-HiT2000
>>> Can--Soundtracks-Remastered-2004-HiT2000
>>> Can--Ege_Bamyasi-Remastered-2004-HiT2000
Release Date: 2004-10-09
Label Info and Catalog #: Spoon Records
Artist/Album Info:
CAN remastered!!!
Spoon Records, in collaboration with Warner Music for
Germany/Austria/Switzerland and Mute/EMI Records London for the rest of the
world, is releasing remastered versions of the classic CAN albums. All
remastered 14 albums will play on CD players, SACD players and SACD compatible
DVD players and will include exclusive unseen photos from the time and new
sleeve notes.
The release of the first four albums Monster Movie, Tago Mago, Ege Bamyasi and
Soundtracks on is scheduled for October 2004. The release of the rest of the
catalogue is scheduled for 2005 and 2006.
The albums were all remastered from the original master tapes and were overseen
and attended by Holger, Irmin and Jono Podmore, so that they finally sounded on
CD how they were always intended to sound. These releases follow the recent
success of the DVD release, CAN DVD, which marked the 35th anniversary of the
founding of the group.
Always at least three steps ahead of contemporary popular music, Can were the
leading avant-garde rock group of the '70s. From their very beginning, their
music didn't conform to any commonly held notions about rock & roll — not even
those of the countercultures. Inspired more by 20th century classical music than
Chuck Berry, their closest contemporaries were Frank Zappa or possibly the
Velvet Underground. Yet their music was more serious and inaccessible than
either of those artists. Instead of recording tight pop songs or satire, Can
experimented with noise, synthesizers, nontraditional music, cut-and-paste
techniques, and, most importantly, electronic music; each album marked a
significant step forward from the previous album, investigating new territories
that other rock bands weren't interested in exploring.
*
>>> By_The_End_Of_Tonight--The_Fireworks_On_Ice-EP-2004-HiT2000
Release Date: 2004-10-11
Label Info and Catalog #: Temporary Residence (TRR75)
Artist/Album Info:
Well, since my suggestion of a "Tiny Mix Tapes: Win A Dream Date With Ashlee
Simpson Trivia Contest" was shouted down at the bi-monthly shareholders meeting
and dually met with prohibitive legal action from the Simpson camp, I will
simply give you the answer to the trivia question which was: What was Theodore's
favorite food on Alvin And The Chipmunks? The answer of course is manicotti.
While the contest failed, my album review segue is still very much alive, and
here it is: The drummer for the Texas based, instrumental genre kaleidoscope, By
The End Of Tonight, you see, plays a child's drum kit, yes, much like Theodore
was known to play. A child's drum kit, however, with a double kick drum. And let
me tell you, such a beating of raw intensity and passion, these drums were never
designed to take.
The size of the drum kit, though, is really the least interesting thing about
this quixotic quartet's debut EP, Fireworks On Ice. Each of the four tracks are
at once stitched together and torn apart at the seams with the styles spanned.
They are as comfortable with rapid, off-kilter, single note tinkering a la Hella
as they are with a Lemmy-esque chainsaw onslaught. Not uncommon would it be to
find them alternating the two multiple times within the same thirty seconds. On
"Video Games Buried Beneath The Desert," when one of the members shouts out "May
I have your attention please?!" during a rare break in the sound, coming after a
furious punk power chord progression, a lulling Mogwai-like arpeggiated build
up, and a machine gun, dual guitar, single string metal riff, simple irony has
never known more thickness. Oh, and if you think that the whole child's drum kit
thing is simply a gimmick, while I can't tell you that it for sure isn't, I can
tell you that the drumming is spot on fantastic and that after the first minute
or so, you'll question what this whole full size drum set trend is all about.
Okay, but don't get weird on me quite yet. I don't really like math-rock either,
and while I like the idea of a band such as Hella, ultimately after a time, the
complex hijinks and noodling begin to make it seem more interesting to be the
one playing than the one doing the listening. In terms of instrumental music, I
am more drawn to the lush dramatics and screaming crescendos of a collective
like Explosions In The Sky. By The End Of Tonight feel pretty much as I do, and
within every track amidst stop on a dime changes and phrenetics are moments of
heartfelt, swelling gorgeousness, rivaling the best of the post-rock climaxes
you've died over. Math-rock with a heart! I never thought I'd see the day.
Despite the awful, awful name, By The End Of Tonight, is the next band to crutch
your Pitchfork cred upon (so long Deerhoof!). They are the only band Temporary
Residence has signed from an unsolicited demo, and by Jove, for good reason. At
once, inscrutable yet mind blowing, technical yet playful, speed metal yet good,
they have set a high bar with merely an EP to their name. Rated 4.5/5
http://www.bytheendoftonight.com/
http://www.temporaryresidence.com/
*
>>> Keith_Fullerton_Whitman-Schoner_Flussengel-KRANK071-Vinyl-2004-UKi
Release Date: 2004-10-12
Label Info and Catalog #: KRANK071
Artist/Album Info:
Schoner Flussengel is the follow up to Keith Fullerton Whitman's Antithesis LP
release from April, 2004. As was the case with Antithesis LP, this is a partly
archival, vinyl-only album released in a limited pressing of 1,000 copies.
Consisting of material with a decidedly dark mood overall, the new album
embodies Whitman's considerable musical scope. With tracks recorded using
vocals, computer, clarinet, synthesizer, record player, microphone, bell and
guitar the album traverses grittier and more complex territory than its
predecessors. The six tracks veer from multifi drone to computer-guitar-piano
trio. The vcs3 that runs through the two "Lixus'" tracks was recorded at Soma
in Chicago in 2001 with the aid of Casey Rice and John McEntire. Packaged in a
faux-dark metal album jacket with suitably intricate gothic script, Schoner
Flussengel is a dip into a cold, stygian stream that splashes and flows around
the listener. Keith Fullerton Whitman's musical interests have taken a course
towards solo experimentation of late. Schoner Flussengel was begun as Whitman
took a lecturer position at Harvard and gained access to the University's sound
labs. As Whitman worked on his Multiples album project for kranky, the material
that coalesced into Schoner Flussengel required a separate album. The album
title is German for beautiful river angel.
*
>>> The_Boats-Songs_By_The_Sea-Moteer003-CD-2004-UKi
Release Date: 2004-10-06
Label Info and Catalog #: Moteer003
Artist/Album Info:
The music on the debut album by The Boats was written by The Sea, hence the
title ?Songs by The Sea?. Clever huh? The faces behind the project have a
history of performing in many bands, Hood and The Remote Viewer being but two
fine examples. There?s Craig and Andrew delicately weaving together these
exceptionally moving pieces, while elaine sings along in a fluttering,
beautifully broken manner. Their music takes in numerous instruments, from dusty
sweeping drums to ageing accordions, from sterling vintage piano to warm padding
bass, from tapped windblown bells to unconsciously puffed melodica. Pan over to
the other side of the studio and you discover old bits of malfunctioning
electronic machinery, drum-machines that don?t quite work as they should, banks
of amnesiac samplers trying to regain their memories, mixers that have started
to confuse left with right. Songs by The Sea captures that ageless essence of
atmosphere and heartbreak, nostalgia and inspiration, the sound of slowly fading
memory seeping into and confusing itself with a multicoloured subconscious. This
is music in the finest, unspoken tradition of lonely seafaring, written from the
furthest depths of the ocean, with whatever instruments just happen to lie
around on deck. A huge recommendation.
*
>>> Stafraenn_Hakon-Ventill-Poki-RESLP009-Vinyl-2004-UKi
Release Date: 2004-10-06
Label Info and Catalog #: Resonant Belgium RESLP 009
Artist/Album Info:
This third full album from Stafraenn Hakon is a superb development on the first
two. The first thing that strikes you is the more band orientated sound that
kicks things off. A drummer, proper songs, all mixed up with the superb
trademark layered guitar sounds. Kind of like some of the earlier constellation
material back when they were leading the way with this kind of music. A
beautiful balance develops throughout the album with lush, dense soundscapes
dominating in the latter half combining a fragile sounding gorgeousness with a
majestic and somewhat epic style. This is a magnificent piece of work, for fans
and newcomers alike.
*
>>> Fourcolor_-_Air_Curtain-(12K1029)-CD-PROPER-2004-HEB
Release Date: 2004-10-05
Label Info and Catalog #: 12K1029
Artist/Album Info:
Air Curtain is the latest release from keiichi sugimoto's (minamo, fonica) solo
project Fourcolor.Following his release Water Mirror (Apestaartje, 2004) in
which Sugimoto created gradually evolving works using guitar drones and
resonances, Air Curtain was composed to be a more diverse album and an
exploration of different processes. Still utilizing the signature drones and
ambient washes of guitar notes and resonances, Air Curtain finds movement in
implied rhythmic edits, synthetic percussive accents and more structured playing
techniques. The results are engaging, picturesque works that swell and flow with
an air of warmth and transluscence, layered with subtle shifts and sparks that
demand attentive listening and further establish Sugimoto's place as one of the
genre's strongest emerging talents.
*
>>> Stafraenn_Hakon_and_Dialect_-_Tour-Ltd.Ed.-CD-2004-BFHMP3
Release Date: 2004-10-09
Label Info and Catalog #: RESTOUR1
Artist/Album Info:
A special six track, 40 minute tour CD featuring all exclusive and new material
from both artists. The CD (catalogue number RESTOUR1) was only available to
people attending shows on the tour.
*
________________________________________________________________________________
. .:[+] AMOK [+]:. .
________________________________________________________________________________
>>> Compilation-Subterranean_Ways_of_Thinking-Ltd.Ed._LP-2004-radial
Release Date: 2004-10-06
Label Info and Catalog #: Avatar rec.
Artist/Album Info:
Dark ambient compilation long play vinyl that shows all different styles of
ambient, archaic and ruminant sound creations. Chthonian moods meeting
percussive structures and archaic voices. An ultimate collection of exclusive
tracks!
*
>>> Ozymandias-Les_Doutes_Eternels-2004-SiRiON
Release Date: 2004-10-09
Label Info and Catalog #: Ramses rec.
http://www.ozymandias.ch
Artist/Album Info:
Middle Pillar exclusive distribution title. Christophe Terrettaz, as Ozymandias,
returns with "Les Doutes Eternels" ("Eternal Doubts"), which was inspired by an
Edward Sheriff Curtis' exhibition. Here the classical Swiss pianist transcribed
the emotions the exhibit inspired in him, transporting their sad resonance into
the modern world, and in turn creating a somber yet melodic reflection of
humanity: how mankind treats its planet and its fellow man. Stark in it's
structure yet warm in tonality, "Les Doutes Eternels" is an achievement in
contemplative aestheticism. Previously Ozymandias has released a collaboration
with Elijah's Mantle, and three solo releases through World Serpent
Distribution.
*
>>> VA-Flowers_Made_Of_Snow-2CD-2004-FWYH
Release Date: 2004-10-10
Label Info and Catalog #: Cold Meat Industry
http://www.coldmeat.se
Artist/Album Info:
Well, in a perfect world no-one would need any further introduction to the
fundamental institution that Cold Meat Industry has become, but nevertheless; 7
years have past since the previous double CD label-sampler "The Absolute Supper"
in 1997, and the groundbreaking success that followed, and it is consequently
due time to introduce, seduce and degenerate a whole new generation of listeners
with the release of something new and absolutely improved - Flowers made of
Snow.
Once again we are glad to present a double CD-sampler sold at a single-CD price,
featuring an extensive full-colour 16-pages booklet with presentations of all
participating bands, some new - some old, but always equally intriguing. Total
118 minutes and 95% new and previously unreleased tracks!
Dinner is served!
*
>>> Atrium_Carceri-Seishinbyouin-2004-FFF
Release Date: 2004-10-09
Label Info and Catalog #: CMI
Artist/Album Info:
http://www.coldmeat.se
Seishinbyouin is the second album from Atrium Carceri, and drags the listener on
a violent journey through haunted mental asylums, ripe with the cries of the
lost and the damned. Rotting jailcells, past insanity and the crumbling domes of
the other side are a few of the many eerily twisted images that this evocative
music compels. There is a constant dark majesty that forcefully propels the
message of inevitability: The colorful illusion people spend most of their lives
in is fragile as a rose petal, and just as easily shattered in Seishinbyouin.
With brilliant use of the full spectrum of dystopia, this will surely leave no
one unscathed. The album is filled with dark ambient soundscapes, haunting
symphonic intensities and engulfing atmospheres that let you get inside the
twisted psyche of the total other. One can but wonder at the twisted mind of the
tortured soul that made this vision spring to ghastly unlife.
*
MOVIES
+++ Lovers.2004.LiMiTED.DVDRip.XviD-BiEN
Release Date: 2004-10-03
http://www.imdb.com/title/tt0385004/
It's also been tagged as House.of.Flying.Daggers
If you liked Crouching Tiger Hidden Dragon and Hero (Ying Xiong) you'll love
that one.
The cinematography is on par with both of these.
________________________________________________________________________________
. .:[+] YARD [+]:. .
________________________________________________________________________________
>>> Mixman-King_Davids_Melody_(12_Inch_BLKM009)-VLS-1993-YARD
Release Date: 2004-10-05
Label Info and Catalog #: Blakamix BLKM009
Album/Artist info:
Quite essential UK Dub record. The songs are a bit simple in their structure but
they show the elements of UK Dub perfectly and are pretty progressive for 1993.
Related URLs:
http://www.blakamix.co.uk/
http://www.discogs.com/label/Blakamix
*
>>> Alpha_And_Omega_Meets_Bangarang-Show_Me_A_Purpose_Versions-CD-2001-RKS
Release Date: 2004-10-10
Label Info and Catalog #: Bangarang Records BASSCD005
Album/Artist info:
"As the duo, Alpha and Omega, Christine Woodbridge and John Sprosen have created
a style of dub, the remixing offshoot of reggae, that is uniquely British. While
they were initially influenced by original dub recordings by Lee "Scratch"
Perry, King Tubby and Augustus Pablo, Woodbridge and Sprosen have continued to
evolve their own sound. "Option" magazine explained, "through minimal
manipulation, (Alpha and Omega) deliver the listener to a place of great sonic
peace". According to "The Wire", "The compelling presences at the hear of these
airy sonic worlds have a harder edge than some of their ancestors'. "Pulse!" dug
even deeper into their explanation of Alpha and Omega's sound, which they
described as, "massively thunderous bass lines, galloping drum tracks and a
willingness to tastefully adorn dubs with digital flutes and various electronic
sounding washes". Bassist Woodbridge, one of reggae's few woman
instrumentalists, and keyboardist Sprosen began working together after meeting
in the southwestern coastal city of Plymouth in Devon, England. Both musicians
had previously played in various reggae bands and Sprosen had worked with the
Roaring Lion Sound System. Pooling their resources, Woodbridge and Sprosen spent
several years recording rhythm tracks prior to releasing their debut album,
Daniel in the Lion's Den, as a cassette that they released on their own label, A
& O, in 1990. Two years later, the duo signed with Greensleeves, keeping the
imprint A &O as part of the agreement. Alpha and Omega have continued to
collaborate with other British reggae bands. The duo supplied rhythm tracks for
Jah Shaka and appeared on the indie-dance band Flowered Up's single, "The Reggae
Song". The duo was accompanied by the Disciples on their 1997 album, Sacred Art
of Dub; Mystical Things followed three years later and Dub Philosophy appeared
in summer 2001."
- www.allmusic.com
Related URLs:
http://www.alphaandomega.co.uk
http://www.alphaandomega.co.uk/discshowmeapurpose.html
http://www.discogs.com/artist/Alpha+%26+Omega
*
>>> Errol_Scorcher-Rastafire-LP-1978-YARD
Release Date: 2004-10-13
Label Info and Catalog #: United Artists 4527-078
Related URLs:
http://www.roots-archives.com/artist/234
http://www.roots-archives.com/release/1059
Album/Artist info:
Can't tell much about Errol Scorcher, except he was a very good friend of
Eek-A-Mouse and got killed in the 80s. Rather unknown but well-done and solid
toasting album. Worth checking it out!
*
>>> Shaka_Demus_And_Shabba_Ranks-Ruff_And_Tuff-LP-1989-YARD
Release Date: 2004-10-13
Label Info and Catalog #: VP Records VPRL 1041
Album/Artist info:
One of the best examples for early Dancehall. Split album by Grammy-winning
deejay Shabba Ranks who had quite some international chart hits in the early
90s, and Chaka (here spelled as Shaka) Demus, who did the famous "Murder She
Wrote" together with Pliers, besides other timeless Dancehall classics.
If you are a once-in-a-time Dancehall listener and want to explore these sounds
beyond Beenie Man and Sizzla, this is a must for you. If you're a Dancehall
head, you have this album already anyway. Extra-cheesy album artwork included.
=)
Related URLs:
http://www.vprecords.com
*
>>> VA-Shanty_Town-2004-vod
Release Date: 2004-10-13
Label Info and Catalog #: Pow Pow
Album/Artist info:
These tunes have been available on vinyl for quite a while, but finally they are
compiled on a retail CD, so here's another chance to check these goodies out.
The review below relates to the vinyl pressings and doesn't touch the CD bonus
tracks, but still...
"Remakes of classical reggae riddims are no rarity - every month, one or two
crucial riddims come out in a new outfit, some of them more, some of them less
good. But what about ska & rocksteady riddims, the ultimate foundation of reggae
as we know it today? Unfortunately the world hasn't seen many riddims of that
era remade today. Producers aren't willing to dare experiments and therefor
prefer sticking to wellknown stuff.
Other than Pow Pow Productions from Cologne/Germany. After their first
successfull selection, the Celebrate Riddim, they come up with a remake of one
of the most memorable Instrumentals from the ska/rocksteady era - the rhythm
track of Desmond Dekker's Shanty Town. Unlike many foundation riddim remakes,
which try to re-trim the riddim to nowadays fashion tempo-wise, Pow Pow
succeeded to preserve the original pace of the riddim, giving it a very
authentic touch. On the other hand, the instruments of the remake were given
much reverberation, giving them a very clear and bouncing sound, without loosing
the original pace of the 60's riddim.
Tune-wise, the riddim is a singer's choice this time. Even the deejays voicing
pon it kept a very melodical touch with their tunes. Here you see some of the
old Celebrate artists like Turbulence and Jah Mason, but this time they are
supported by a whole bunch of other cultural singers. Pow Pow managed to get big
artists like Sizzla, Anthony B, Luciano and even the great Jack Radics upon this
selection, as well as Tanya Stephens, who is back on track harder than ever
after a long pause, and Daddy Rings, well-known for his Weed Haffi Bun and
numerous collaborations with wellknown German singjay Gentleman. New talents
weren't forgotten here as well, besides THE upcoming Turbulence there is some
more fresh talent in persons of Elijah Prophet, Sugar Black and Lebancoleh.
It is noticable that all the tunes keep up a nice vibe lyrically. Even Sizzla,
notorious for his controversial and not-always-conscious lyrics, is keeping it
strictly niceness here. Neither heavy slackness, nor crude bun dis bun dat
lyrics can be found on this selection, rather pure conscious vibes, depicting
the faith in Jah or denouncing the society's Injustice. A clear highlight for me
is the Luciano tune, probably the best tune I heard from him in the past year.
He's calling for more love and devotion, partly recycling the refrain melody of
the original Shanty Town tune. Ethiopia Awakes is another big tune by
Turbulence, in which he rather shows his singer Abilities than the Bobo-deejay
styles he was dropping earlier, and he masters the new singing style very well.
Another big tune is... well let's say they're all great tunes. All the tunes
convinced me, it seems that the uplifting riddim gave the artists even more
energy to perform like I heard them perform seldomly on other riddims. I already
gave Celebrate 5 points back then, and I wish I could give Shanty Town even
more... " - http://claat.com/article/articleview/60/1/11/
Related URLs:
http://www.powpow.de/
*
________________________________________________________________________________
. .:[+] TR [+]:. .
________________________________________________________________________________
>>> Enduser_-_Bollywood_Breaks_(ADN41)-EP-2004-TR
Release date: 2004-10-05
Label Info and Catalog #: Ad Noiseam ADN41
Artist/Album Info:
While Lynn Standafer's recent output might have had their roots in his current
home of Cincinnati or in some back alley of Kingston, Jamaica, it is on the
heights of the Himalaya and in the most glamour Hindi temple that we find him
this time.
Never giving up to make the audience dance, Enduser aim this time at the belly
rather than the feet, and invite his fans to an intercultural wedding. While the
groom is the same noisy, loud bad boy, the bride is coming from the higher ranks
of society and wears henna.
"Bollywood breaks" is Enduser's homage to the bhangra music of the Hindi film
industry, whose singing is here mixed with his infectious breaks and distorted
beats for maximum efficiency. Drawing from two styles of music that could hardly
be any more different, weren't it for their raw dance appeal, Standafer comes
here with some of the catchiest and seductive tunes you will hear till your next
reincarnation.
Added to the flavour is extra curry by Larvae (who have played live on several
occasions with Enduser) and the break wiz-kid Mad e.p., as well as by Line47,
the other founder of Enduser's Sonicterror label.
Enduser and Ad Noiseam are glad to invite you to a breakcore party at the Taj
Mahal. Now sing and dance.
http://www.adnoiseam.net
*
________________________________________________________________________________
. .:[+] gf [+]:. .
________________________________________________________________________________
>>> BARR-What_Would_the_Second_BARR-2004-gF
Release Date: 2004-10-06
Label Info and Catalog #: Tapes Records
Artist/Album Info:
The latest from writer, zine-dealer (Sex Sells), video artist, and general
man-on-the-move BRENDAN FOWLER under his BARR pseudonym. A tripped-out
collection of spoken rant-craft delivered over a collage of beats, snips, cuts,
sounds, and shit. Has upcoming collaborations with Animal Collective and JD from
Le Tigre, and recent touring under his belt with Tracy & The Plastics and
Quails.
*
>>> Code_Seven-Dancing_Echoes_-_Dead_Sounds-Advance-2004-SDR
Release Date: 2004-10-01
Label Info and Catalog #: Equal Vision
Artist/Album Info:
With three acclaimed records on The Music Cartel Codeseven has become a
household name. They have pushed the boundaries of the "emo" genre, drawing on
the eclectic, experimental side of Pink Floyd and Bjork, while capturing the
energy and emotion of Punk. The band entered the studio with producer Michael
Birnbaum (Coheed and Cambria, Straylight Run) to record their followup to The
Rescue. Their newest offering builds on their previous works, but sees the band
expanding their vision in a darker more electronic manner. This is a portrait
of a band that is unafraid to take their time, and the result is brilliant.
*
>>> Deerhoof-Halfbird-2002-gF
Release Date: 2004-10-06
Label Info and Catalog #: Menlo Park
Artist/Album Info:
The fourth full-length album, and arguably the best, from San Francisco's
masters of "quiet-loud" experimental rock cacophony. A fifteen-track
juxtaposition of extremes and hybrids that push the limits of beauty and power,
as the band moves from thermonuclear sound assault to moments so calm, they're
deafening. Spectacular drumming, flesh-hacking guitar, roaring bass, and
nerve-tingling female vocals.
*
>>> K.C._Milian--Season-Repeat-2002-HiT2000
Release Date: 2004-10-09
Label Info and Catalog #: Marsiglia Records (M. 008)
Artist/Album Info:
Italian post-rock, this is an old hard-to-find EP.
If u like it, u should also get
>>> K.C._Milian-Self_Titled-2004-gF.
*
>>> Monochrome-Trema-(EP)-2004-rH
Release Date: 2004-10-09
Label Info and Catalog #: Trans SolarRecords
Artist/Album Info:
Monochrome
Monochrome, from Stuttgart Germany has been around since the mid to late 1990's
forming out of the ashes of the hardcore band Dawnbreed. Their sound operates on
different musical and ideological influences. Combining the intensity of punk
with the easiness of Scandinavia Pop and the profundity of jazz, Monochrome have
their unique and distinctive identity - expressed in a style, that is authentic,
clear, purist and contemporary.
The instrumentation of their songs varies from fragile instrumental duos to the
complete Monochrome force, which is in action most of the time: two voices, one
female, one male; two guitars, one horizontal, one diagonal; bassguitar, drums,
and some electronics.
*
>>> Rapider_Than_Horsepower-Rapider_Than_the_World-EP-2004-iTS
Release Date: 2004-10-04
Label Info and Catalog #: Alone Records
Artist/Album Info:
Conceptually dense enough to fill at least another two inches worth of vinyl,
Rapider's latest offering sparingly takes advantage of what their world had to
offer: 1. A free day of recording at the studio where "Eye of the Tiger" was
recorded. 2. A record label willing to release music on the least profitable
format known to the music business. 3. Copyright-bending, shamelessly
self-indulgent art. Delving further into cartoonish absurdity and
kiddie-cocktail party anthems, Rapider takes their music to new levels of
ridiculousness while never forgetting to keep things fun. The result leaves even
the most jaded snob-rock fans with smiles on their faces and question marks in
their minds. Rapider write songs about best friends (with Guns 'n Roses-laced
lyrics), super-sizing (now strictly prohibited, RIP), dating Bruce Springsteen's
daughter (totally fun), and making money off of music (really absurd!). Features
members of Racebannon and Rep Seki.
*
________________________________________________________________________________
. .:[+] DRUM [+]:. .
________________________________________________________________________________
>>> Bill_Laswell-Version_2_Version_(Reachout_International_Records)-2004-AES
Release Date: 2004-10-06
Label Info and Catalog #: Reachout International Records (RUSCD 8288)
Artist/Album Info:
The wizard of dub returns, in tandem with bassist Jah Wobble, to offer fans of
electronica and dub another fascinating experience. Bill Laswell, an ace
musician and producer, has become quite adept at producing intriguing
soundscapes that never fail to challenge and please the listener. Here, he works
with percussionists Karsh Kale and Abdou Mboup and keyboardist Bernie Worrell in
addition to Wobble, who co-authored four of the six tracks with Laswell. At
their foundation, all the tracks have a genesis in a Laswellian techno bass
sound which, unlike basic techno bass, overlays elements that are ambient and
avant-garde rather than retro. Other tracks, including "System Malfunction,"
also morph in and out of compelling drum'n'bass interludes. With Laswell,
stylistic parameters are there to be transcended in the name of groove. But for
all the sonic layers, the tracks have a minimalist feel, which only adds to the
intrigue.
*
>>> Goldfrapp_-_Wonderful_Electric-DVDA-(Mute)-2004-BCC
Release Date: 2004-10-08
Label Info: Mute
Artist/Album Info:
Goldfrapp has releases their first full length DVD, titled "Wonderful Electric -
Live In London" the DVD features two very different sold out live London shows,
one from the dates surrounding the latest album Black Cherry and one from the
time of the debut album, Felt Mountain.
The 2 Disc set features Goldfrapp live at Somerset House in July 2003, a
wonderful open air concert in the courtyard of one of London's most beautiful
buildings and a live show from November 2001 - part of a series of three sold
out shows at the Shepherd's Bush Empire. Both concerts are in 5.1 or PCM Stereo.
Featuring a variety of tracks from both Felt Mountain and Black Cherry, the DVD
also includes live favourites such as their wonderful version of Olivia Newton
John's (Let's Get) Physical - here known as U.K. Girls (Physical) - and the
stunning cover of Baccara's disco hit, Yes Sir, I Can Boogie (here known as Yes
Sir). There are also two rare tracks from around the time of the Shepherd’s Bush
Empire show. Little Death (which has never been released in any form) and
Sartorious.
*
>>> Funkstorung-Moon_Addicted_And_Chopping_Heads_EP-(K7-171)-Vinyl-2004-BEX
Release Date: 2004-10-06
Label Info and Catalog #: K7 (171)
Artist/Album Info:
In this Olympic year 2004, Funkstorung continue untiringly to carry their
musical torch through releases and live concerts, genre barriers and arts
disciplines. The releases of the EP "Fat Camp Feva/Disconnected" and the album
"Disconnected" at the end of March followed the extensive "Acoustics" tour
through a good 50 cities in Europe, USA and Japan. For the first time, they took
a band along, namely vocalist Enik and bass player Andreas Kellner from Munich
as core members and additional guest musicians at times, such as New Yorker MC
Tes. The two Rosenheim natives, Michael Fakesch and Chris de Luca, are now
putting out another EP featuring two tracks from the album and two new pieces.
Once again, Funkstorung hold fast to their dual principle of filling the aural
medium with songs on the one hand and (hiphop) tracks on the other. DJ fodder,
yes; VJ fodder, double yes: for interested members of the press, there is also
an exclusive preview of the four fantastic videos to this EP from the book/DVD
project, "Isolated. Funkstorung Triple Media", which will be presented for the
first time by !K7 and the Berlin design publishers "Die Gestalten" at the
Frankfurt Book Fair - more information on this coming soon: watch this space.
“Moon Addicted”, the quiet hit of the album and the new song with Enik,
"Generation Fat", are good examples of how a certain "Radioheadedness"
synchronizes the otherwise fundamentally different musical philosophy of an
exceptional talent like Enik with the electronic masterminds of Funkstorung. The
bass lines for "Generation Fat" by Andreas Kellner provide just the right amount
of “strumming” in the driving garage-jazz. That Funkstorung's rehearsal room is
still primarily located on the hard drive also holds true in this respect, even
if it's not necessarily audible.
"Chopping Heads", with the New Yorker MC Tes, really delivers the goods with
those split-hop chops that leave behind an imprint of the Funkstorung logo with
every drum beat. For "Basic P.P.O. Blues", hacker-boys Fakesch and de Luca hunt
the electronic spit of Canadian beatboxer Quadraceptor through a data cable, to
which the rhymes of MC Doseone from Oakland stick like a trojan virus.
Quadraceptor, from the Ninja Tune stable, and Doseone, co-founder of the hiphop
label Anticon, had no idea they would meet in the curiosity cabinet of
Funkstorung's plug-ins. The bass, by the way, was recorded by Andreas Kellner
during the tour - this time just before a concert in Seattle.
*
>>> Keith_Fullerton_Whitman-Schoner_Flussengel-KRANK071-Vinyl-2004-UKi
Release Date: 2004-10-12
Label Info and Catalog #: Kranky (KRANK071)
Artist/Album Info:
Sch÷ner Flussengel (pronounced "shooner floos-engel") is the follow up to
Keith Fullerton Whitman's Antithesis LP release from April, 2004. As was the
case with Antithesis LP, this is a partly archival, vinyl-only album released in
a limited pressing of 1,000 copies. Consisting of material with a decidedly
dark mood overall, the new album embodies Whitman's considerable musical scope.
With tracks recorded using vocals, computer, clarinet, synthesizer, record
player, microphone, bell and guitar the album traverses grittier and more
complex territory than its predecessors. The six tracks veer from multifi
drone to computer-guitar-piano trio. The vcs3 that runs through the two
"Lixus'" tracks was recorded at Soma in Chicago in 2001 with the aid of Casey
Rice and John McEntire. Packaged in a faux-dark metal album jacket with suitably
intricate gothic script, Sch÷ner Flu▀engel is a dip into a cold, stygian
stream that splashes and flows around the listener. Keith Fullerton Whitman's
musical interests have taken a course towards solo experimentation of late.
Sch÷ner Flu▀engel was begun as Whitman took a lecturer position at Harvard and
gained access to the University's sound labs. As Whitman worked on his
Multiples album project for kranky, the material that coalesced into Sch÷ner
Flu▀engel required a separate album. The album title is German for beautiful
river angel.
Schoner Flussengel is material with a decidedly dark mood. Recorded as a follow
up to Keith Fullerton Whitman's Antithesis LP, which was released by kranky in
April 2004, this new album embodies Whitman's considerable musical scope. With
tracks recorded using vocals, computer, clarinet, synthesizer, record player,
microphone, bell and guitar, the album traverses grittier and more complex
territory than its predecessors. Whitman also goes by the name Hvratski, with
his work on Planet Mu.
The six tracks veer from processed, textured drone to computer-guitar-piano
trio. The vcs3 synthesizer that runs through the two "Lixus" tracks was recorded
at Soma in Chicago in 2001 with the aid of Casey Rice and John McEntire
(Tortoise). Packaged in a gothic styled album jacket that is perhaps more akin
to a Southern Lord release, complete with a suitably intricate script, Schoner
Flussengel is a dip into a cold, Stygian stream that splashes and flows around
the listener.
Keith Fullerton Whitman's musical interests have taken a course towards solo
experimentation of late. Schoner Flussengel began when Whitman took a position
as a lecturer at Harvard and gained access to the University's sound labs. As he
worked on his forthcoming Multiples album project for kranky, a strand of his
music took on a life on its own. It was clear that this material needed a
separate outlet and it took the form of Schoner Flussengel. The album title is
German for 'beautiful river angel'. As John Mulvey wrote in The Wire when
reviewing Playthroughs: "It's a pleasure to hear an artist defy easy
categorisation."
*
>>> Mr_Scruff_-_Breezeblock_Mix-DAB-10-05-2004-BOSS
Release Date: 2004-10-08
Label Info and Catalog #: /
Artist/Album Info:
nice Breezeblock mix from one of coollest Ninja Tune guy, Mr Scruff
himself..check his nice track list with some tunes from Wall of Sound label
*
>>> Prince_Allah-Jah_Children_Gather_Round-Reissue_LP-2004-RAC
Release Date: 2004-10-10
Label Info and Catalog #: Jah Shaka (Shaka 952)
Artist/Album Info:
Composed, arranged and produced by JAH SHAKA & All tracks written by JAH
SHAKA/PRINCE ALLAH
Prince Allah is a vell known singer from the Greenwich Farm area, one of the
hardest Kingston ghettoes. Born as Keith Blake in May 1950, Allah is a key
figure of the roots reggae scene of the 70s. He did cut incredible materials for
Bertram Brown’s Freedom Sounds label on various very tough instrumental sides
from Soul Syndicate. Recently Blood & Fire reissued two acclaimed CDs, ‘Only
love can conquer’ and ‘Heaven is my roof’ (as part of the ‘I can hear my
children singing’ double CD release). After getting once more a good popularity
through this reissues, Prince Allah recorded new CDs for people like Jah Shaka
(‘Jah children gather round’), Jah Warrior (‘Glory’ and ‘More love’) and Russ
Disciple (‘One bright day’).
Jah Shaka is one of the most important roots reggae and dub artists. He's a
composer, musician, singer, mixing engineer, producer, record label owner, and
the operator of the heaviest roots/dub sound system in the world!
enjoy this wicked release!
*
>>> Richard_Dorfmeister-Valdemossa-(SR031-1)-Vinyl-2004-MPX
Release Date: 2004-10-10
Label Info and Catalog #: Sunshine Enterprises
Artist/Album Info:
Inspired by the laid back feeling under the Spanish sun and some great vino
tinto, Richard Dorfmeister and Madrid de los Austrias recorded this wonderful
tune in Mallorca. Feel the power of the Spanish sun! After several remixes
(Koop, Groove Armada, Zero 7, Pressure Drop to name a few) it was time to do it
for themselves. The "Pele" mix was recorded in Vienna. On that rework you can
feel the atmosphere of the city, thus a little bit rougher; one for the
dancefloors, this one will move ya!!! Together Richard Dorfmeister and Madrid de
los Austrias reshaped their summer soundtrack into a club banger! This piece of
music will move your feets as elegantly as Pele did it on the soccer field back
in the days. Una Brasso!
*
>>> Savath_and_Savalas--Manana-(Warp)-2004-AES
Release Date: 2004-10-07
Label Info and Catalog #: Warp Records (WAP 177 CD)
Artist/Album Info:
On this EP, Scott Herren (aka Prefuse 73) continues to explore Spanish folk
music and psychedelia with his follow-up to January’s Apropa't. Vocalist Eva
Puyuelo Muns returns with beautiful, subdued singing in Catalan. The cover art
by Maya Hayuk says it all—these dreamy soundscapes are sexy and stylized—a
far-cry from Herren’s hip hop inspired projects. On the other hand, there is
plenty of unusual production. On “Interludio Incongreto,” Scott’s vocals are
sampled and distorted into clips of sound. “Sota L'Aigⁿa” is more
straight-forward pop, with a familiar-sounding melody over classical guitar and
electronic beats. Demα Vinor└ has a lovely combination of stuttering electronics
and brisk beats among Eva’s gentle vocal harmonies. “No Puedo de Cidir” is a
short and sweet instrumental with wonderfully funky bass. Finally, “Equipatge de
Flors Seques” is a meandering journey through pulses of strings, subdued synths,
and Scott’s singing with an undercurrent of undecipherable voices swirling in a
sonic sea. Sadly, Scott indicated on his Web site that this is probably his
final collaboration with Eva. But what a farewell!
*
>>> Stafraenn_Hakon-Ventill-Poki-RESLP009-Vinyl-2004-UKi
Release Date: 2004-10-06
Label Info and Catalog #: Resonant Belgium (RESLP 009)
Artist/Album Info:
After two massively respected full-lengths on Resonant, the much-lauded
Stafraenn Hakon is about to step up a gear or two. Ventil / Poki features
Stafraenn’s first new material in two years - on the back of the success and
acclaim that met the aforementioned "Skvettir Edik a Ref" and "I Astaandi
Rjupunnar", both of which were old albums deservedly seeing light of day for the
first time beyond his native Iceland. Whereas those two were effectively home
recordings using basic instruments and means, "Ventill/Poki" is the end result
of a week in a studio in England with the help of fellow Resonant artist
Dialect, using live bass and drums sounding like the product of a band rather
than one guy. That said, it retains the feel of his previous work, and shimmers
along similar territory to Sigur Ros and Ulrich Schnauss – quietly euphoric and
unashamedly romantic. Recommended.
*
>>> Unklesounds-Edit_Music_For_A_Film-2004-soup
Release Date: 2004-10-01
Label Info and Catalog #: Unklesounds (UNKSOU002)
Artist/Album Info:
Original Motion Picture Soundtrack Reconstruction, this cd was done for the
After Dark event in the ICA, London. James Lavelle put together a mix of
soundtracks from films that inspired him the most. This CD was given out for
free after the gig.
Nice selection from James as usual..
*
>>> The_Boats-Songs_By_The_Sea-Moteer003-CD-2004-UKi
Release Date: 2004-10-06
Label Info and Catalog #: Moteer003
Artist/Album Info:
The music on the debut album by The Boats was written by The Sea, hence the
title “Songs by The Sea”. Clever huh? The faces behind the project have a
history of performing in many bands, Hood and The Remote Viewer being but two
fine examples. There’s Craig and Andrew delicately weaving together these
exceptionally moving pieces, while elaine sings along in a fluttering,
beautifully broken manner. Their music takes in numerous instruments, from dusty
sweeping drums to ageing accordions, from sterling vintage piano to warm padding
bass, from tapped windblown bells to unconsciously puffed melodica. Pan over to
the other side of the studio and you discover old bits of malfunctioning
electronic machinery, drum-machines that don’t quite work as they should, banks
of amnesiac samplers trying to regain their memories, mixers that have started
to confuse left with right. Songs by The Sea captures that ageless essence of
atmosphere and heartbreak, nostalgia and inspiration, the sound of slowly fading
memory seeping into and confusing itself with a multicoloured subconscious. This
is music in the finest, unspoken tradition of lonely seafaring, written from the
furthest depths of the ocean, with whatever instruments just happen to lie
around on deck. A huge recommendation.
*
>>> Vivian_Jones-Red_Lights_Got_A_Light_(12_Inch_SHAKA859)-Reissue_VLS-2004-RAC
Release Date: 2004-10-10
Label Info and Catalog #: Jah Shaka (SHAKA859)
Artist/Album Info:
Again a nice reissue from jah shaka label...check this sweet voice...luvely!
*
>>> VA--Fabriclive._17_-_Aim_-_Radio_Mix_CDr-2004-AES
Release Date: 2004-10-07
Artist/Album Info:
Featuring Tony D, Boards Of Canada, Lewis Parker, Ice Cube,..and many
others..this mix is absolutely wicked! a must have!
a selection of downbeat Latin, hip-hop and funk cuts peppered with the
occasional faster number.
Boards Of Canada’s electronic beats sit happily alongside A Tribe Called Quest’s
classic ‘Award Tour’, and Ice Cube - possibly for the first and last time -
shares a space with James Yorkston’s ‘St Patrick’.
*
>>> VA-Solid_Steel_Presents_Amon_Tobin-Recorded_Live-RETAIL-2004-AES
Release Date: 2004-10-06
Label Info and Catalog #: Ninja Tune (ZEN CD90)
Artist/Album Info:
or yea and verily, the fourth episode of the world famous and much trusted Solid
Steel mix series is here and this times it comes from the Silent Brazilian, Amon
Tobin. After a year and half of performing, tweaking and perfecting his DJ set,
Amon found himself in Australia in the final stages of a long but rewarding
tour. Every night of this antipodean leg was recorded, and it was decided that
this memorable and sweaty night in Melbourne, with Amon under the distracting
influences of drugs, alcohol and Ozzy girls, would be the perfect opportunity to
add to the Solid Steel series.
This mix reflects all of Amon's musical passions and showcases his superb DJ
skills coupled to cutting edge technology. This is his version of 'Live'. We’d
better get used to it.
*
VA-Warp_Vision_the_Videos_(89-04)-DVDA-2004-JUST
Release Date: 2004-10-06
Label Info and Catalog #: warpd122
Artist/Album Info:
First-ever WARP DVD collection, featuring the best of Warp promos from '89 to
the present day that, with the exceptions of Autechre's 'Gantz_Graf' and Chris
Cunningham's legendary videos, have never seen a DVD release until now. The disc
includes work from Chris Cunningham, Alex Rutterford and David Slade alongside
directors such as Lynn Fox, Pleix, Ed Holdsworth and Laurent Briet who, since
their work for Warp, have become some of the hottest talents in the industry. In
amongst the better-known videos are lost classics and rarely-seen gems from the
likes of Seefeel, The Designers Republic, Sabres of Paradise, Jamie Lidell, John
Callaghan and Jimi Tenor.
*
________________________________________________________________________________
. .:[+] SER [+]:. .
________________________________________________________________________________
>>> Can--Ege_Bamyasi-Remastered-2004-HiT2000
>>> Can--Monster_Movie-Remastered-2004-HiT2000
>>> Can--Tago_Mago-Remastered-2004-HiT2000
>>> Can--Soundtracks-Remastered-2004-HiT2000
Release Date: 2004-10-09
Label Info and Catalog #: Spoon Records
Artist/Album Info:
Always at least three steps ahead of contemporary popular music, Can
were the leading avant-garde rock group of the '70s. From their very
beginning, their music didn't conform to any commonly held notions
about rock & roll -- not even those of the countercultures. Inspired
more by 20th century classical music than Chuck Berry, their closest
contemporaries were Frank Zappa or possibly the Velvet Underground.
Yet their music was more serious and inaccessible than either of those
artists. Instead of recording tight pop songs or satire, Can
experimented with noise, synthesizers, nontraditional music, cut-and
-paste techniques, and, most importantly, electronic music; each album
marked a significant step forward from the previous album,
investigating new territories that other rock bands weren't interested
in exploring.
Throughout their career, Can's lineup was fluid, featuring several
different vocalists over the years; the core bandmembers remained
keyboardist Irmin Schmidt, drummer Jaki Leibezeit, guitarist Michael
Karoli, and bassist Holger Czukay. During the '70s, they were
extremely prolific, recording as many as three albums a year at the
height of their career. Apart from a surprise U.K. Top 30 hit in 1978
-- "I Want More" -- they were never much more than a cult band; even
critics had a hard time appreciating their music.
Can debuted in 1969 with the primitive, bracing Monster Movie, the
only full-length effort to feature American-born vocalist Malcolm
Mooney. 1970's Soundtracks, a collection of film music, introduced
Japanese singer Kenji "Damo" Suzuki, and featured "Mother Sky," one of
the group's best-known compositions. With 1971's two-record set Tago
Mago, Can hit their visionary stride, shedding the constraints of pop
forms and structures to explore long improvisations, angular rhythms,
and experimental textures.
1972's Ege Bamayasi refined the approach, and incorporated an
increasingly jazz-like sensibility into the mix; Future Days, recorded
the following year as Suzuki's swan song, traveled even further afield
into minimalist, almost ambient territory. With 1974's Soon Over
Babaluma, Can returned to more complicated and abrasive ground,
introducing dub rhythms as well as Karoli's shrieking violin. 1976's
Unlimited Edition and 1977's Saw Delight proved equally restless, and
drew on a wide range of ethnic musics.
When the band split in 1978 following the success of the album Flow
Motion and the hit "I Want More," they left behind a body of work that
has proven surprisingly groundbreaking; echoes of Can's music can be
heard in Public Image Limited, the Fall, and Einstⁿrzende Neubauten,
among others. As with much aggressive and challenging experimental
music, Can's music can be difficult to appreciate, yet their albums
offer some of the best experimental rock ever recorded.
http://www.spoonrecords.com/
*
>>> Ajattara_-_Tyhjyys-FI-Promo-CD-2004-QTXMp3
Release Date: 2004-10-12
Label Info and Catalog #: Spikefarm
Artist/Album Info:
The new album by Finnish black metal act Ajattara!
http://www.ajattara.cjb.net/
*
>>> Omnium_Gatherum-Years_in_Waste-Promo-2004-PMS
Release Date: 2004-10-02
Label Info and Catalog #: Nuclear Blast
Artist/Album Info:
OMNIUM GATHERUM is a "melodic" death metal combo from the wastes of
Finland, hailing from Karhula, the sub-urban and metal capital of
Kotka.
OG produce complex but accessible death metal that incorporates
elements of thrash and tradl metal without ever sounding derivate. Top
quality Finnish steel, in other words. It has said also that if you
mix At The Gates, Katatonia, Death and Judas Priest there's the recipe
to OMNIUM GATHERUM stuff!
OMNIUM GATHERUM came into being somewhere in time at autumn 1996.
After a year of hard training and song writing OG recorded their first
demo tape "Forbidden Decay" containing atmospheric melodical death
metal in the spring -97. Following self-financed releases were the OG
cd-ep in -98 and "Gardens, Temples…this Hell!" mcd in -99. Especially
"Gardens.." started to arouse much positive stir in the metal
underground, but no good record deals were offered yet.
Fourth promo-demo "Wastrel" was released on May `01 and it was infact
the first one which was promoted widely to companies and magazines.
The band found it`s own identity in this release and the line-up was
now almost completed; only keyboard player have changed since the days
of "Wastrel". It brought to OG lots of words of praise like its
predecessor as reviewers praised the originality of the music, with
the review in Terrorizer summing it up quite nicely: "…there is a
sense of something special happening here. Technically the sextet have
got it all worked out, but if I could apply the word 'beautiful' to
metal songs then I would do so here because they are as complete as
would be expected from any top class album."
In December 2001, a new and growing label RAGE OF ACHILLES Records
from England offered a deal that sounded sensible and after signing it
OG was sent straight to the Sonic Pump studios in late December to re
-record "Wastrel" demo to be released as a debut MCD. The title was
changed to "Steal the light" so that no one would mistake it for the
demo. The mcd containing 5 songs of quality Finnish melodeath was
released in September 2002. It achieved great reviews and feedback all
around the world and Kerrang! Magazine even voted OG to "TOP21 bands
you should hear".
In August 2002 OG entered the Sonic Pump studios again to record their
first full-length album called "Spirits and August Light". The album
was released in April `03 thru Rage Of Achilles Records and the album
got licensed also to Japan by Hot Rockin`Records and to South-America
by Hellion Records.
"Spirits.." album proved starting from the fast thrashy opener piece
"Writhen" to the last slow oppressive "It Shines" that there's still
request to melodic death metal record without those new wave clean
vocal choruses and give a real 9-piece lesson about groovy violent
Finnish rage with feel! …and now the band is really in it's own way,
nobody can't claim the band anymore to be usual Scandinavian melodic
death metal band!
The "Spirits and August Light" album made it again even to greater
reviews than the previous ones and there has been given even some
"album of the month" titles to the album. The metal media have praised
the band to be "A new wave" of death metal as for example Metal Hammer
magazine ranked OG on their feature "A new wave of European death
metal" among the bands Opeth, Haunted, In Flames, Soilwork and Red
Harvest. Here's what the article said about OG: "Classically inclined
operatic metal at its most snobbish. Lead breaks to make metal gods
Judas Priest weep, and vocals that lift them out of any black metal
pit. If Opeth are the Pink Floyd of this scene, then Omnium are likely
to turn into Rush at the very least. Hammer recommends: "spirits and
august light""
After the album release OG have played as many gigs as possible and
have opened the gigs for example for such big bands as Children Of
Bodom and Zyklon. The band made also a music video from the song
"Writhen" at spring `03, which was directed by Ville Salonen.
The new album "Years In Waste" is now bred and is waiting to be
unleashed at the end of the year 2004! Again, musically the next level
is entered!
http://www.omniumgatherum.org/
*
>>> OST-Paul_Giovanni-The_Wicker_Man_(1973)-2002-SER
Release Date: 2004-10-12
Label Info and Catalog #: Silva Screen Records
Artist/Album Info:
The re-mastered soundtrack to what has been called "one of the most
innovative and provocative British films ever produced". Silva
Screen's CD is the first ever release of the stereo masters of all the
songs from the soundtrack. The original stereo masters that were
prepared for a US LP release in 1977 were thought lost but have now
been discovered.
We'll leave it to Christopher Lee (who starred in the movie) to give
this soundtrack its credit:
"The music to The Wicker Man is quite extraordinary. It is probably
the best music I've ever heard in a film, because each song is totally
different from each other and they all sum up the atmosphere of the
scenes perfectly. What Paul Giovanni achieved is quite amazing and
absolutely beautiful"
Packaging & Liner Notes Standard 2-CD jewel case with fantastic full
-colour 22 page booklet containing a very detailed essay and loads of
original poster art and stills from the movie.
http://www.bassclef.freeserve.co.uk/wick.htm
http://www.steve-p.org/wm/
http://imdb.com/title/tt0070917/
*
>>> OST-Ennio_Morricone-Once_Upon_A_Time_In_The_West-Remastered-2004-SER
Release Date: 2004-10-12
Label Info and Catalog #: BMG
Artist/Album Info:
The Expanded Edition of the soundtrack to Sergio Leone's classic Once
Upon a Time in the West (1968 - AKA C'era una volta il West), starring
Henry Fonda, Claudia Cardinale, Jason Robards, Charles Bronson, and
Gabriele Ferzetti.
This is an absolutely beautiful score from Morricone with its tear
-inducing main theme (featuring vocals by the extremely talented Edda
D'ell Orso), The sinister Man with a Harmonica (sampled by Beats
International on their single Dub Be Good to Me) and the ever so
slightly comical Farewell To Cheyenne. Perfect.
Packaging & Liner Notes
Two-fold digipack. No liner notes.
http://imdb.com/title/tt0064116/
also worth checking out:
2004-09-29
Ennio_Morricone-The_Good_the_Bad_and_the_Ugly-Extended_Version-2004-JCE
*
>>> The_Soundtrack_Of_Our_Lives-Origin_Vol_1-2004-SER
Release Date: 2004-10-12
Label Info and Catalog #: Warner Music
Artist/Album Info:
The new and highly anticipated album from the Swedish rock ensemble
the Soundtrack Of Our Lives, enjoy!
2001's “Behind the Music” became their big international breakthrough
as big tours, television appearances and a nomination for an American
Grammy for best alternative album followed. As you understand the
pressure of following up their big breakthrough has not been easy.
After spending most of this year locked inside a studio vocalist Ebbot
Lundberg, drummer Fredrik Sandsten, bassist Kalle Gustafsson, keyboard
player Martin Hederos and guitarists Ian Persson & Mattias BΣrjed have
written and recorded over 40 songs. And as if the new album wasn't
enough the follow up “Origin part 2” is also expected to drop sometime
next year. The brand new single, “Big Time” has become difficult to
elude as it is being played all over the world and the video is
spinning frequently on the channel.
The album includes as duet with French songbird Jane Birkin on
Midnight Children (Enfants de la nuit). Guests that came and visited
them during the recording included Kevin Rowland from Dexy's Midnight
Runners and Paul Simonon of The Clash.
The sound of album ranges from epic rock extravaganzas such as the
monumental “Transcendental Suicide” to mellow acoustic melodies such
as the album opener “Believe I've Found.” The album's closing anthem
“Age of no reply” ends what may very well be one of the best albums of
the year.
http://www.thesoundtrackofourlives.net
http://www.tsool.net/
*
>>> Office_Building-Violent_Heart-2004-SER
Release Date: 2004-10-06
Label Info and Catalog #: Aisti Records
Artist/Album Info:
The fourth Office Building album, enjoy!
In just four years Office Building has developed into one of the most
Critically acclaimed groups in Finland. After their first album, To
See Only Shadows (Fonal Records, 2000), the band became a huge cult
favourite in Alternative circles and their position was only
strengthened by their second effort, Across The Sleeping Seas (Aisti
Records, 2001). The third album, The Sun Hit The Water (Aisti Records,
2003), is a result of a natural progression, the band's most melodic
and accessible album to date.
As Soundi, the biggest monthly music magazine in Finland, put it: "An
Album impossible not to fall in love with." Throughout the years
Office Building has drawn favourable comparisons: people hear the same
kind of quality in singer-songwriter Janne Laurila's songs as they
hear in Neil Young's, Ron Sexsmith's or even Hank Williams' output.
With the new album, Office Building explores its boundaries even
further: among the best tracks are She Appeared To Me (a timeless
sixties love song reminiscent of the late great Roy Orbison), The Door
To The Room Of Your Heart (a fast and furious gypsy-rocker in a
genuine Bad Seeds style), a radio hit Crystal Clear (imagine The
Smiths writing a happy tune) and Keep Walking On (the perfect country
ballad).
Office Building continues to make music that is, in another
journalist's words, "familiar but unique". Or as yet another hack
wrote, "music for music itself, without pressure of the past".
Office Building are:
Janne Laurila (guitar and vocals)
Juho Kaitajarvi (keyboards)
Ville Koivisto (drums)
Pekko Kappi (violin)
Marko Niittymaki (guitar)
Mika Vierimaa (bass)
http://www.theofficebuilding.net
*
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>>> Radio_Massacre_International_-_E-Live_2003-(Northern_Echo_CDR)-2004-BCC
Release Date: 2004-09-10
Label Info and Catalog #: Northern Echo
Artist/Album Info:
Recorded at the E-Live Festival in Eindhoven, Holland on Saturday 27th September
2003
This is one of these three new live RMI CDr's represent us in three widely
different settings in three different countries over the course of the last
year. All of our recent time has been devoted to preparing for a welcome
abundance of live performances, and we tried to vary the approach each time in
order to produce as much new music as possible. Each of the three sets here is
inherently different but we think equally successful.
*
>>> VA_-_804Noise-2004-BCC
Release Date: 2004-10-10
Label Info and Catalog #: 804001
Artist/Album Info:
Establishing 804noise as a label, this compilation features 11 exclusive tracks
from 11 different Richmond based experimental and noise artists.
*
>>> T.A.S.C.-T.A.S.C.-2004-AMOK
Release Date: 2004-13-10
Label Info and Catalog #: FastX Records
Artist/Album Info:
T.A.S.C. is the culmination of ten thousand years of pure, raw, adolescent
aggression...or in layman's terms, an industrial rock band. At the core of this
unholy union of power and technology lies a pack of volume junkies who remain
committed to nothing but the human power struggle of a live band.
*
>>> Airlock-Symptomatic-2004-OBC
Release Date: 2004-11-10
Label Info and Catalog #: n/a
Artist/Album Info:
Often we don’t understand why something happens. Sometimes things take an
unexpected turn and all we can do is try to catch up with the events.
In 1998, Musicom, (a three piece from Brussels consisting of Pierre Mussche,
Ernst Meinrath and Renaud Charlier), began crafting tracks of cool electronic
ambience mixed with orchestral hip-hop, as soundtracks for adverts and
underground films. Scottish born Esra Tasasiz was working in Brussels at that
time writing and composing songs with various Brussels based artists. She joined
Musicom and the four decided to work together on recording a short piece of
music.
http://www.indian.co.uk/airlock/
*
>>> Vidna_Obmana-Anthology_1984_-_2004-2004-FWYH
Release Date: 2004-10-10
Label Info and Catalog #: Projekt
Artist/Album Info:
New anthology from one of Projekt's favorite ambient artists, Vidna Obmana. Most
of the material contained on "Anthology 1984 - 2004" is previously unreleased or
taken from old compilations that are long out of print and covers Vidna's oeuvre
from 1984 up till 2004. For the first time ever, this anthology links Vidna
Obmana's most succesful ambient period with his most obscure earlier phase
including 12 selections which range in style from ambient music in the vein of
"River of Appearance" and his ambient Trilogy to harsh noise electronics from
the early 80's. A unique and provocative document confirming Obmana's essential
position in the field of electronic and modern experimental music.
*
>>> Atrium_Carceri-Seishinbyouin-2004-FFF
Release Date: 2004-09-10
Label Info and Catalog #: Cold Meat Industry
Artist/Album Info:
Typical Cold Meat Dark Ambient with members of Za Frumi
*
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>>> VA-Framed_and_Formed_2-(IBOX0010)-2x12-Vinyl-2004-mbs
Release Date : 10-11-2004
Label Info and Catalog # : Iron Box Music (IBOX0010)
Artist/Album Info:
Framed & Formed is back with a second edition featuring the best music to come
out on IRON BOX to date!
Deep and minimal electro music...highly recommended!!!
http://www.ironboxmusic.com/
*
>>> Legion_Of_Green_Men--Mosaic_Eye-(Post_Contemporary)-Vinyl-1995-mbs
>>> Legion_Of_Green_Men--Veneration-(Post_Contemporary)-Vinyl-1995-mbs
Release Date : 10-06-2004
Label Info and Catalog # : Post Contemporary (12PCON15) and (12PCON11)
Artist/Album Info:
http://www.discogs.com/release/43289
http://www.discogs.com/release/43311
Very limited edition of *eternal* electronic gems from Canada.
Classic !
*
>>> B.L.A.S.T--B.L.A.S.T-(Eklektik_Rekords)-CD-2004-mbs
Release Date : 10-02-2004
Label Info and Catalog # : Eklektik Rekords
Artist/Album Info:
Watch out this great album from a new french label : Eklektik Rekords. It sounds
Nu Jazz .. but its not a crappy nu jazz album like many you can have heard this
last monthes !
These guys have good ideas and their music sounds really like jazz !
http://www.eklektikrekords.com
*
>>> Jussi-Pekka--Subway_EP-(STA1-31210)-Vinyl-2004-mbs
Release Date : 09-30-2004
Label Info and Catalog # : Statra Recording (STA1-3121)
Artist/Album Info:
Jussi-Pekka Parikka (a.k.a J-P Parikka, JussiPekka) from Finland has a unique
sound, combining influences from Basic Channel style techno and deep, groovy
house. Blending these elements together, he creates a smooth vibe for both
techno and house audiences. Jussi-Pekka started DJing in 1994 when a friend
taught him to spin. From the very beginning he was amazed at how a single person
can effect the crowd. With time and patience he developed his own mixing style,
smooth and innovative. Eventhough he plays mostly deep'n dubby tech-house, he
has a place for driving techno in his heart.
http://www.statra.com
http://www.faventia.de/index.php?id=281
*
>>> Olaf_Hund--Valseuses-(Musiques_Hybrides)-CD-2004-mbs
Release Date : 09-30-2004
Label Info and Catalog # : Musiques Hybrides
Artist/Album Info:
Three years after the release of his first album Kitch Kitch (Musiques Hybrides
/ Virgin), Olaf Hund is back with Valseuses , an opus that is more
introspective and intimate than the last album that wonderfully illustrate the
festive and light facette of his music.These last 3 years gave Olaf the
opportunity to work on the productions of his mates Alexis HK, Norazia and Hack
Tao, the collaboration with many artists between Paris and Berlin as well as the
developpement of various trans-disciplinary projects while maturing this album.
Acoustic instruments and machines meet and invite, at times, a voice, to
generate an electro mix of entrancing melodies and surprising rhythms. Valseuses
revisits the popular and romantic dances from the beginning of the 20th century
to our days, highlighting the talent of Olaf as a composer: Gymnopedie, Menuet,
Valse, Bolero celebrates a new dimension in electronics, so modern. Dancing, is
the lovers langage and this album is inspired by love and all the feelings it
can inspire: joy, spleen, sadness, anger, hope these emotions are blended,
transporting us all along these eleven tracks.So turn on the sound, close your
eyes, relax let your imagination guide you. This music is yours, that of your
inner film, your inner self : these feelings that transcendes you from Olaf is
in each and everyone of us.Olaf Hund created the label Musiques Hybrides in
1994. He began his project of musical series, leavingbehind him all cliches of
styles and categories. It would be wise to evoke moods, atmosphere, emotions and
colors, in order to understand how he divides his tracks into these series. His
revelation to the public comes with his performance at the Aquaplanning Festival
in 1999.the big moment of Aquaplanning 1999 for the general opinion was the Olaf
Hund concerto (Liberation).In 2001, he gathered the Kitch Kitch series into his
first album (Kitch Kitch: Musiques Hybrides / Virgin). Olaf Hund latest effort
has got everything: hints of Blondie, strutting hip-hop, splashes of Kraftwerk,
Quickstep, Cajun hoedowns, space-age Moogisms and manic tubular bells (NME).
Olaf composed the soundtrack of Cyrk 13, a show by Philippe that toured Europe
for 2 years. He multiplied his collaborations and remixes with Leonard de
Leonard, Louise Vertigo, Rubin Steiner, Scratch Massive, DJ Seep, Omar from
Oslo, Plaid, Schneider TM, Gonzales, Tarwater, Taraf de Haidouk. In 2003, he
founded FreeComplex, a pluri-disciplinary collective of various artistes.
Eversince he toured Brazil, he added corporal performances to his concerts
through his collaboration with Solaine Caillat √ a circus performance artiste.
Together, with the release of Valseuses, Olaf and Solaine are putting the
finishing touches to a new live show (first date in Paris, in the automn of 2004
*
>>> Mako--Scuba_Diving-(Bloom)-CD-2004-mbs
Release Date : 10-08-2004
Label Info and Catalog # : bloom records (BLM 009-2)
Artist/Album Info:
This Mako (means Shark in Polynesian) is Tahiti naturally born...Lucky man !
This sound engineer (who is also working with french artists like Roudoudou, Dom
farkas aka Doctor L's vocalist) seems to have been very influenced by the UK's
electronic scene. Sometime in the pop, sometime in the trip hop, sometime in the
Drum'n Bass...His debut album appears to be very eclectic and very sunny !
http://www.bloomrecords.com/
*
>>> GB_Feat_Steve_Spacek--Simply_So-(SIC12098)-Vinyl-2004-dh
Release Date : 10-10-2004
Label Info and Catalog # : Sound In Color Records (SIC12098)
Artist/Album Info:
Taken from his forthcoming full-length release "Soundtrack For Sunrise" GB's
collaboration with Steve Spacek (vocals) results in a brilliant future soul
composition. Adding to the mix, their "Simply So" track gets the remix treatment
from Sa-Ra creative partners. dont miss this one !!!
http://www.soundincolor.com
*
>>> Liquid_Loop-Reset-2004-RFL
Release Date : 10-07-2004
Label Info and Catalog # : perfect toy records
Artist/Album Info:
Nu-soul, Deep-house, Fusion, Jazz, Drum'n'Bass ???
I'd say BROKENBEAT BOMB !!!!!!!
totally exciting !!!
http://www.liquid-loop.de
*
>>> mark_de_clive-lowe--tides_arising-(cocb-53225)-CD2004-miso
Release Date : 10-06-2004
Label Info and Catalog # : columbia/antipodean records (cocb-53225)
Artist/Album Info:
"tide's arising is the new album and that pretty much sums up the intention -
it's well time for a change and a change is definitely coming. i think people
who grew up on the cultures of the 80s and 90s who are creative thinkers want to
hear music that's fresh, progressive and has it's share of challenges. the
album's mostly a vocal album featuring bembe segue, abdul shyllon, capitol a,
vanessa freeman and a few others. since the last album, i've enjoyed making
music with a vocal element and how that can open up a piece of music to a whole
new thing. it's a twisted 21st century soul album - latin, downtempo, broken,
fusion, soul, all thrown together in the way i like to do that. i started making
the album back when i did 'relax unwind' with abdul, so it's been a long process
with ups and downs - something that i think can often be part of expressing a
big creative work." (mark de clive-lowe)
produced by mark de clive-lowe for melodius productions mixed by toni economides
and somatik mastered by tom coyne, sterling sound, nyc
cd only japanese version of tide's arising featuring bembe segue, abdul shyllon,
capitol a, vanessa freeman, nathan and joel haines, kaidi tatham, pino palladino
and plenty more.
BROKENBEAT POWER!!!
http://www.markdeclivelowe.net
*
>>> Ricardo_Villalobos-The_Au_Harem_D_Archimede-Promo_CDA-2004-SMO
Release Date : 10-01-2004
Label Info and Catalog # : Perlon
Artist/Album Info:
Ricardo's percussive talent is undisputed: the sophisticatedly elastic rhythm
meanders of Latin American/Caribbean origin sound as if they have been
introduced to the wild from the base of a cool, impeccably clean laboratory
which is located somewhere in the Science Fiction vastness of the Chilean
Atacama desert. The loss of sense of time appears in favour of the event of
intensity. Frequently the tracks appear surprisingly volatile, despite the
considerable playing times of several titles which are absolutely required for
exhausting the free, rythmic modulatons. One wishes them to last forever, like
the whole production.
*
>>> Junkie_Slip-Muddy_Empire-TUCH115-Vinyl-2004-UKi
Release Date : 10-10-2004
Label Info and Catalog # : Tummy Touch (TUCH115)
Artist/Album Info:
The dirtiest, funkiest version of Star Wars you're ever going to hear.
Junkie Slip hail from New York and Barcelona, neither of which city is known for
the cleanliness of it's streets.
This essential 12" is a lo-fi funk throw down that grew out of live jam sessions
at the infamous Sonar after-parties.
*
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>>> OST--Friday_Night_Lights-Original_Motion_Picture_Soundtrack-2004-HiT2000
Release Date: 2004-10-13
Label Info and Catalog #: Hip-O Records
Artist/Album Info:
A beautiful soundtrack to a well-shot film. Explosions in the Sky was
contracted to do the soundtrack for this film, and they have recorded several
original tracks as well as re-recorded some classics with added orchestration
and movements. Enjoy.
http://www.fridaynightlightsmovie.com
*
>>> Savath_and_Savalas--Manana-(Warp)-2004-AES
Release Date:
Label Info and Catalog #:
Artist/Album Info:
"Landing on Earth just a few months after their initial collaboration, Scott
Herren and Eva Puyelo birthed Manana, only a slight evolution from Apropa't,
but notable nonetheless. The two interludes, "Interludio Inconcreto" (which
begins the eight-song EP) and "Interludio Humedo" (which leads into the
seven-and-a-half minute claustrophobic closer "Equipatge De Flors Seques"),
sound as if Herren's Prefuse alter-ego had gotten a hold of his Savath and
Savalas recordings. In fact, Herren uses his knob-twiddling skills much more in
the foreground here than anywhere on Apropa't; the final song is more a sound
collage designed to evoke cinematic emotion than anything resembling even the
most abstract of Herren and Puyelo's collaborations." - PrefixMag.com review
blip
The follow-up "ep" to Apropa't. Where does the line between EP and LP lie? Ok,
so 28 minutes of music is a bit short for most "albums," but plenty of punk
bands get away calling less a "full length." Anyhow, enjoy the blissed-out
sounds of Savath & Savalas.
http://www.prefuse73.com/savath.shtml
http://www.warprecords.com
*
>>> Logreybeam_-_Its_All_Just_Another_Aspect_of_Mannerism-(TYPE004)-2004-BCC
Release Date: 2004-10-04
Label Info and Catalog #: Type004
Artist/Album Info:
It's All Just Another Aspect Of Mannerism' is the debut album of Los Angeles
based Logreybeam, aka Gabriel Morley. Having spent many years studying music at
the prestigious Cal Arts Academy, Morley has taken his training and turned it on
its head. Instead of merely sampling the instruments he has so painstakingly
learned, he resynthesizes, filters and destroys them until few traces are left
on the resulting sound recordings. Every track starts with a sound base and
whether it be piano, strings or percussion only a hint of the original sound is
left. All we hear are tones, trapped reverberations, the sounds that we are
taught to ignore.
Morley is better known as one half of electronica act 'Yasume'. His gritty
percussive structures helped carry their album 'Where We're From The Birds Sing
A Pretty Song' to great critical acclaim in 2003. It comes as quite a surprise
then that in his debut solo record Morley dispenses with percussion almost
entirely to make a record of drifting, crystalline beauty. He considers this as
a far more personal work than Yasume, which was more of an outlet for his ADD
induced beat creation skills. It is when working by himself he feels he can
express his love of musique concrete and abstract sound design.
The album opens in typically classical style, with the sounds of a laptop
orchestra tuning their samples on 'Premonition'. This sets the tone of the
record perfectly as it drifts seamlessly from Xenakis-influenced electrical
drones into the cold, precise digital manipulations explored previously by
artists such as Carsten Nicolai. It stops for breath mid-way through with
'Beetelguise', a wonderful reinterpretation of Danny Elfman's influential theme,
proving that there is room for a wry smile in the po-faced world of the avante
garde.
As the album draws to a satisfying close with the mysterious 'Untitled' we are
treated to a piece of field recording, delicately manipulated to brush the
senses rather than barrage them with information. This kind of subtlety is
rarely achieved, yet Gabriel Morley manages effortlessly. Such simple yet
involving beauty comes around far too infrequently, which is what makes 'It's
All Just Another Aspect Of Mannerism' such an essential work.
http://www.soundmangle.com/
http://www.typerecords.com/artists/full.php?id=22
*
>>> VA-Newsense_Recordings_Sampler-CD-2004-UKi
Release Date: 2004-10-12
Label Info and Catalog #: Newsense Recordings
Artist/Album Info:
This sampler is a collection of tracks taken from future releases on Newsense
Recordings. Some of the tracks on this CD will probably never be offically
released, Some are also 'Work in progress'.
http://www.newsense-recordings.co.uk
*
>>> Willy_Mason-Where_The_Humans_Eat-2004-RNS
Release Date: 2004-10-13
Label Info and Catalog #: Team Love Records
Artist/Album Info:
Bitter-sweet folk from the oldest 19-year-old in the world. "Where the Humans
Eat" is the debut full-length album from Martha's Vineyard native, Willy Mason,
and it's sweet and soulful testament to youth's subtle, inherent brilliance.
This is no ordinary teenager...full of universally understood, nuanced
intricacies "Where the Humans Eat" is no ordinary album.
http://www.team-love.com
*
>>> 65_Days_of_Static-The_Fall_of_Math-2004-OBC
Release Date: 2004-10-01
Label Info and Catalog #: Monotreme Records #Mono-08
Artist/Album Info:
Most bands form and then make a conscious choice to imitate, plagiarise and
become a pastiche of their idols. The music buying public love to be reminded of
the good times; the old times; the familiar. It’s the reason we've had The
Beatles, The Clash and The Stooges clones plague our minds, radio, newspapers,
TV, and our souls for the past twenty-five years. It’s the reason guitar based
music has driven itself into a rut; become stale, bland, tired and overblown.
Time for an overhaul. But that’s most bands, and it’s clear that 65 Days of
Static have no intention of being some retro-fuck entity. Nestling themselves in
a scene loosely called math-rock or post-rock, they appear to have broken the
golden alt-rock rule of not using computers, samplers, electronics etc (it’s not
real music you know). Instead of sounding like some scrappy, mix-genre
soundclash, 65 Days of Static take your pre-conceptions and smash them into a
million pieces.
'Retreat! Retreat!' swoops in with a glorious, spine tingling glockenspiel
intro, which gives way to a riff that is so wide, so heavy, so burnt that it
hurts; it's heart wrenching stuff. 'The Cat Is a Landmine' weaves in and out
like Venetian Snares vs a monged Godspeed! You Black Emperor. 'Aren’t We All
Running' uses a moribund prog-rock piano intro and calmly sits back and lets the
guitars and drums (the drummer clearly having eight arms on this track) walk in
and bludgeon you with reckless abandon. It is pure passion, and it’s clear that
'The Fall of Math' was created to worship the beauty of music. Radiohead took
three albums to become this adventurous and IDM is still too afraid to include
live instruments on this level; when the Mercury Music Prize comes around the
judges won’t go anywhere near this.
Go home, take your play safe indie-punk records and burn them. 65 Days of Static
have their heads in 2007 and everyone else is thirty years behind……
Magnificent.
*
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>>> Exzakt_-_The_Second_Wave_E.P._(SAT021)-Vinyl-2004-KTMP3
Release Date: 2004-10-14
Label Info and Catalog #: Satamile Records SAT021
Artist/Album Info:
From Scape One to Heuristic Audio, passing through EMS, Metroneem or Freezie
Freekie, it's always hard to succeed to the long list of talents signed to
Satamile. Yet, Larry McCormick aka Exzakt (Monotone, Psi49net, Nuff Nuff,
Datapunk) realises here a real feat, offering to Andrew A. Price's wonderful
label one of its best releases to date. In three incredible dancefloor cuts,
Anthony Rother's partner on Netzwerk Florida project puts the lights on a
destructive Miami Electro Bass sound thanks to the use of powerful bass lines.
On A side, "The Second Wave" introduces an industrial rhythm embellished by
gloomy and funky lyrics. Then comes a break based upon a dark and ultra
aggressive string. The track goes on again in a drums bubbling. At last, in the
middle of the tune, a deep and noir melody seizes progressively of the whole
till the end. Huge! On the flip, "Sub.Sonic Base" uses the same components heard
on the longplayer, without falling into emotion. Tempo goes faster, voice is
filtered by an impressive vocoder and groove sounds duplicated. A perfect skill
of the machines and an incredible sense for the dancefloor turn the track into
another success. At last, on the contrary of the first two cuts, "End Of The
Pain" concludes the 12'' with a melancholic and minimal note, enhanced by looped
lyrics ("Joy And Pain, It's One And The Same") under depressive melody. An EP
that will not leave your flight case before a long time. Essential!
http://www.satamile.com
*
>>> Scape_One-Future_Sound_of_Bognor-Vinyl-2004-OBC
Release Date: 2004-10-10
Label Info and Catalog #: Iwari IWARI06
Artist/Album Info:
With "Future Sound Of Bognor", Kurt Baggaley goes on with its sound exploration
works started recently on Affected Music and Drivecom. "Sigma Delta" begins A
side with a sumptuous deep and melancholic construction where sweet melodies and
feverish 808 combine perfectly. In a similar register, "Simulacra" develops some
beautiful languorous and sad strings for a straight downtempo tune. On the flip
come two magnificent and futuristic pieces: "Halcyon Drift" in a minimal vein
and "I Program", a dark and hot dancefloor hit enhanced by a Detroit style
synths line. A recommended EP fully completed with a great illustrated sleeve!
*
>>> Hydraulix_and_Merlyn_-_The_Owners_Manual_EP-KUAD002-Vinyl-2004-BOSS
Release Date: 2004-10-08
Label Info and Catalog #: Kuad KUAD002
Artist/Album Info:
Industrial influences, Sci-Fi sounds and heavy bass, here comes Hydraulix again!
After the incredible buzz generated around their first release ("The Hydraulix
EP") last year, Ashrock and Jimi The Genius (Richard Zarate & Jimi Merlo) strike
back to spread terror on the dancefloors, signing the second output of Kuad
Records, their own label. Close to the sound developed by its neighbours Exzakt
or Jackal & Hyde, Miami based duo distillates here a brilliant dark and
efficient electrobass on "Future Leaders", first track of the A side that comes
along with a "Bonus Beat" shorter and condensed version. Rough kick, robotic
rhythms and vocoded lyrics, Merlyn, the heavyweight Breakbeat producer and
cofounder of Kuad deploys an impressive gear on B-side to turn "Dominate" (and
it's a capella a la "This Is The Sound Of Underground") one of the summer
syncopated killer tunes. Indeed a devastating 12'' but nothing to compare with
the forthcoming Hydraulix release on Touchin' Bass.
*
>>> VA-Jungle_Sound_the_Bassline_Strikes_Back-2CD-2004-XTC
Release Date: 2004-10-09
Label Info and Catalog #: Breakbeat Kaos BBK001CD
Artist/Album Info:
New Drum & Bass album out on Breakbeat Kaos (Adam F and DJ Fresh's Label) CD1
features a large selection of 2004 dance floor anthems that have been rinsed
out by all the major DJ's throughout the year. CD2 brings us a debut mix CD from
the up and coming trio Pendulum. The mix has all the tracks from CD1 along with
bonus tracks from artists on the Breakbeat Kaos label. If that wasn't enough
they also decided to throw MC Darrison and MCMC on the mix, so for people who
don't like MC's it might not be your cup of tea. Nice cover scans are also
included so you can see the full artwork.
*
>>> VA-Fabric_Live_18-CD-2004-2DB
Release Date: 2004-10-08
Label Info and Catalog #: Fabric Live
Artist/Album Info:
Highly anticipated B2B mix from DJ Hype and Andy C. Unfortunately the tagging is
bad on this release but the music makes up for it. Featuring 20 tracks selected
and mixed by DJ Hype B2B Andy C. The mix is a nice blend of all the styles of
Drum & Bass not focusing on one more then another. The first half of the CD has
more of a DJ Hype sound while the second half moves into Andy C. A quality mix
for any Drum & Bass fan.
*
>>> NVision-Impulse-NVR003-2004-sour
Release Date: 2004-10-07
Label Info and Catalog #: NVision NVR003
Artist/Album Info:
After months and months of this release getting pushed back it's finally out!
Two heavy tunes from USA Producer: Impulse. On the more techie side these tunes
are not for people who like soft Drum & Bass. Twisted analogue sounds with solid
production.
*
>>> DJ_Negavite--Hostile_Mix-CD-2004-RFL
Release Date: 2004-10-05
Label Info and Catalog #: Mediatone
Artist/Album Info:
Owner and founder of Hostile Recordings, DJ Negative (RFL made a typo) drops a
solid mix of hard Drum & Bass.
The mix showcases several current Hostile releases and some forthcoming ones
along with tracks by other producers in the Drum & Bass world. This CD is more
about the beats then the mixing in my opinion. If you want some unique beats
that are not like your typical DnB then check this out.
*
>>> Drumsound_And_Simon_Bassline_Smith-Nature_Of_The_Beast-2004-RNS
Release Date: 2004-10-12
Label Info and Catalog #: Technique
Artist/Album Info:
Mix CD from the forthcoming Drumsound and Simon Bassline Smith album. Features
all the tracks from the 4x Vinyl along with a good amount of bonus tracks from
Drumsound and Bassline Smith.
This mix is more on the jump up side of Drum & Bass, big basslines and bouncing
beats. Unfortunately there is a no cue file included with this release so you
are left with 1 long mix. Also, the track listing included only lists the tracks
from the 4x vinyl and is not a complete track listing for the mix. Look for the
album out on Vinyl soon and a double CD release to follow.
*
>>> Bailey_b2b_Heartless_Crew_-_1Xtra_Old_School_Jungle_Special_(Part_2)-DAB-10-03-2004-BOSS
Release Date: 2004-10-03
Label Info and Catalog #: 1Xtra
Artist/Album Info:
Classic mix right here. Bailey B2B Heartless Crew droping the oldschool Jungle
flavor along with MC Shabba D and Navigator up in the studio droping the lyrical
flow. Anyone who remembers the old sounds of jungle this one is for you
Too bad we didn't catch Part 1 of this show, at least we got Part 2! :
*
>>> Juno_Reactor-Labyrinth-Retail-2004-JRP
Release Date: 2004-09-30
Label Info and Catalog #: Universal Music (Japan) #UPCI-1013
Artist/Album Info:
Had to include this great release from Juno Reactor that got missed on last
report =)
Wonderful tribal/psy/downbeat tracks in true Juno Reactor style including the
popular single from The Matrix "Zwara". A definite must-have.
*
>>> VA--Slonice_(Nice_n_Smooth_Ultramedia)-2004-AES
Release Date: 2004-10-01
Label Info and Catalog #: Nice+Smooth #Nice0017
Artist/Album Info:
"The full-length mix cd of relaxing sounds and dubby downtempo grooves."
Great downtempo/lofi/jazz/dub tracks.
*
>>> Gandalf_-_Visions_2001_-_20_Years_Of_Gandalf-2CD-2001-UPE
Release Date: 2004-10-07
Label Info and Catalog #: Sony Columbia
Artist/Album Info:
Disc 1: Music inspired by "THE LORD OF THE RINGS"
After two decades as a successful composer and musician and more than 20 albums
released, GANDALF, the "MAGICIAN OF SOUNDS", returns to where his career
started, the fantastic world of J.R.R.TOLKIEN.s "THE LORD OF THE RINGS".
"VISIONS 2001" is a powerful, multi-coulored musical epic where the artist shows
his full spectrum. In multi-dimensional sound-pictures he conjures up the
fascinating world from the "LORD OF THE RINGS", leads us into a kingdom of
fantasy.
Disc 2: Rare & Precious Pieces
This CD contains a selection of highlights and rare, formerly unreleased
live-recordings from two decades of creative work of the multi-instrumentalist
and musical cosmopolitan. This record tries to give a representative view of the
wide range of GANDALF's music-productions between 1980 and 2000.
*
>>> Savath_and_Savalas--Manana-(Warp)-2004-AES
Release Date: 2004-10-07
Label Info and Catalog #: Warp Records #WAP 177 CD
Artist/Album Info:
"Landing on Earth just a few months after their initial collaboration, Scott
Herren and Eva Puyelo birthed Manana, only a slight evolution from Apropa't, but
notable nonetheless. The two interludes, "Interludio Inconcreto" (which begins
the eight-song EP) and "Interludio Humedo" (which leads into the
seven-and-a-half minute claustrophobic closer "Equipatge De Flors Seques"),
sound as if Herren's Prefuse alter-ego had gotten a hold of his Savath and
Savalas recordings. In fact, Herren uses his knob-twiddling skills much more in
the foreground here than anywhere on Apropa't; the final song is more a sound
collage designed to evoke cinematic emotion than anything resembling even the
most abstract of Herren and Puyelo's collaborations."
*
>>> VA_-_Floating_Point_Vol_2-2004-MYCEL
Release Date: 2004-10-09
Label Info and Catalog #: Iboga Records #IBOGACD24
Artist/Album Info:
On "Floating Point" Part II you will find another fresh selection of the
finest chill out and lounge music there is around these days. This is
another top of the line production from the Iboga Vault.
>>> Aes_Dana_-_Memory_Shell-Retail_CD-2004-BOSS
Release Date: 2004-10-10
Label Info and Catalog #: Ultimae Records #INRE014
Artist/Album Info:
Another fantastic album from one of the leading artists in the psychedelic
ambient scene. Latest release from the infamous french chillout label Ultimae
Records.
*
>>> X-Dream_-_We_Interface-2004-MYCEL
Release Date: 2004-10-13
Label Info and Catalog #: Solstice Records #solmc-041
Artist/Album Info:
For over 10 years charismatic X-Dream who has given us fresh surprises, one
legendary track after another, will now release their much anticipated new
album, which has reached a state of 'Art' that embodies every aspect of their
vision, filled with an avantgard spirit.
Praised as trailblazers on pair with Juno Reactor(Matrix Reloaded) and
Hallucinogen leading a musical evolution, X-Dream are pioneers, opening doors to
the next level, seeking change with prominent creativity.
*
________________________________________________________________________________
. .:[+] UPE [+]:. .
________________________________________________________________________________
>>> Grapes_of_Wrath_and_Meteloids_-_Tits_on_Fire-2004-PsyCZ
Release date: 2004-10-01
Label Info and Catalog #: Parvati Records PRVCD07
Artist/Album Info:
What would it sound like if psychotic aliens made its own music? The answer is
given by Grapes of Wrath together with Meteloids with this high
pressure-frequencies-driven, non-stop energy psychedelic rush! A futuristic
production from some of Denmark's most underground talented artists based in
Aarhus, a far more forward-thinking bunch of musical minds rather than a group
of people knocking out one track a day. An explosive mixture of hard merciless
kicking base drums and massive large-scaled basslines combined with skillfully
alien sounds and a huge variety of facets, hardly comparable to something
already known. Two projects, one concept without any compromise - thrilling
experimental psytrance for real psychonauts of distorted realms. While this type
of music serves as a source of inspiration for numerous psy-artists and other
electronic formations, these two acts show us the real and pure stuff, a strong
sound journey tipping you over the edge of psychedelic electronic music for
experienced dancefloors.
http://www.parvati-records.com
http://www.psyshop.com/shop/CDs/pav/pav1cd007.html
*
>>> Element-Pad_Song-Vinyl-2004-MNS
Release date: 2004-10-01
Label Info and Catalog #: Avalanche Germany AVAL 06
Artist/Album Info:
Element is back!
After two successful album releases on Nova Tekk and Spirit Zone, as well as
numerous live-acts around the globe, Element show up in their typical warm
atmospheric style, and with this wonderful morning groover they give us a
pretatste of the forthcoming album. On the b-side you will find a killer remix
of germany's progressive-house hero Marc O'Tool.
http://www.juno.co.uk/IP/IF157420-01.htm
*
>>> VA_-_Progressive_Workout_Vol._4-2004-MYCEL
Release date: 2004-10-02
Label Info and Catalog #: Tribal Tribe TT-1004
Artist/Album Info:
This awesome Volume 4 of the mix series by Martin & David Steel features tracks
by the darlings of the Progressive scene as Son Kite, Kooler, Freq, Matthew
Dekay and Echoman.
It's groovy, powerful and garanteed to shake you on the dancefloor.
http://www.jfkstudios.ch
http://www.trance-shop.com/de/catalog/product_info.php?products_id=4174
*
>>> Astrolab_Feat_Natasha_Bryce-Nightvision-Vinyl-2004-MTC
Release date: 2004-10-02
Label Info and Catalog #: AUTOMATIC RECORDS AUTO50
Artist/Album info:
Looks like the West London label Automatic has got a biggie on its hands!
Sounding like a crazed-up Blaze production the Paul Woolford remix of this
summery song is instantly pleasant.
Recalling the early days of garage music when it was essentially the sleazy
soundtrack to American gay clubs 'Nightvision' is soulful (Natasha Bryce on
vocals, electric piano chords, analog strings) yet well edgy thanks to a fat
techno b-line (127 BPM). Smoother, the original mix has a similar NY feel funky
yet druggy (long breaks and much delayed vocals), it is perfect for the
afterhours Ibiza dens.
http://www.psyshop.com/shop/Vinyls/aut/aut1ep050.html
*
>>> Lynx-Effected_EP-Vinyl-2004-MNS
Release date: 2004-10-02
Label Info and Catalog #: Gravitation GRAV16
Artist/Album Info:
The British producer Steve McGrath aka Lynx launches in September a fresh EP on
Gravitation Records, containing four original productions. Effected EP is a
material which reflects Lynx's conception regarding music, his feelings and his
effort for the improvement and evolution of this musical genre. On the A side
two authentic progressive tracks. The first one is "Danger", an obscure
progressive, profound and dark. We enter allat once in the dubious atmosphere of
the track, which gradually advances, even starting to frighten us with its
bizarre sounds and the scary melodic line. The synths are uncomplicated, little
but very obvious, adding up, alongside a few tribals and a deep and dark bass
line, an air of mystery and juicy, even fear, which can evolve in "danger". A
few somber and effected vocals emphasizes this air, which wastes on the break
down, for reinstalling itself after a while, more deeper and darker. After a
short breakdown, the path is changing for a short time to breaks, and then back
to the first phase of the track, when appeared the progressive, which also ends
up Lynx's production.
The other track, from this side, is a surplus of sounds for completing the A
side;"Hallucination" contains a few strings and continuous effects, with no
melody, no rhythm, chaotically arranged, resulting an ambient noise with a few
tents of melody.
The AA1 track, "Effect" seems to be the most successful track on this EP,
bringing a sweet tribal house sound combined with progressive house. After a
short introduction, the tribal rhythm makes its appearance, animating and
warming up the atmosphere. But in short time, the situation changes, at the
entrance of the bass line and the continuous and melancholic riffs, which
changes the track into a sweet and melodic progressive house, with a warm vibe.
The synths appear also in a short time, and after a miraculous and long bass
line disappear little by little. By a warm, meek, curing and relaxing melody,
"Effect" seems to be a sonant hallucination, like all the things except the
substance. Getting rid of this nostalgia, we enter into an archaic universe, a
universe of the playful melody and of the open and optimistic synths.
"First Light" ends up this E.P., not before offering a unique sound, somewhere
between downtempo and ambient, bringing a fresh, warm and benefic melodic line.
Who doesn't love the nature, doesn't love the music, and those landscapes which
don't awake in us some musical representations, can't be memories. Because, this
EP composes real landscapes, composes real spaces.
In a sublime moment of inspiration, the producer Steve McGrath succeeded not
only with the track "Effect" to add up a splash in the progressive house
universe. Another release which assures us that the label Gravitation doesn't
play games with music, taking seriously its task of discovering new talents and
releasing their productions.
http://www.juno.co.uk/IP/IF155912-01.htm
*
>>> VA_-_Lhiannon_Sidhe-2004-UPE
Release date: 2004-10-04
Label Info and Catalog #: Mistress of Evil MOE6601
Artist/Album Info:
With this album the Mistress of Evil would like to welcome you to...a new world
of psychedelic music, the fusion of an already explosive dark sound and power
with the birth of new waves of psychedelic energy- coming straight from the
birthplace of the modern psychedelic movement, San Francisco!
The M.o.E project draws on the powerful feminine energies that are so often
suppressed and neglected within the psytrance community. Inspired by a gathering
in a magical forest and a series of old myths, the name of our first comp is:
Lhiannon Sidhe.
http://www.mistressofevil.com
http://www.psyshop.com/shop/CDs/moe/moe1cd001.html
*
>>> Gandalf_-_Reflection_Masterworks_(1986-1990)-1991-UPE
Release date: 2004-10-07
Label Info and Catalog #: Eurock ECD-2007
Artist/Album Info:
This is a best of collection featuring selections, by Gandalf himself, from his
four Sony albums, The Universal Play, From Source to Sea, Invisible Power and
Symphonic Landscapes. It is a fine introduction to the second stage of Gandalf`s
musical development ("Fantasia" is a good introduction to the first stage),
showing his expanding use of synthesisers and electric guitars along with
acoustic instruments. The sounds range from multi-instrumental such as "Refuge
Island" to lush and fully orchestrated with a full symphony orchestra such as
"Mirages Upon a Desert of Sand (Part IV)" to purely electronic such as "Cosmic
Circle Dance," with Gandalf showing his mastery in all of these styles. The
selections are generally more towards the upbeat end of Gandalf`s often dreamy
style: even here he`s less rocky than either David Arkenstone or Kitaro,
although, like these contemporaries he gives his productions great musical
texture and interesting, if gentle, melodies. This particular collection may be
hard to find now but some second-hand copies show up occasionally on the
newsgroups, as the converted buy his individual albums and sell the
compilations. (Ian C. Thomas)
http://www.gandalf.at
*
>>> VA_-_Palash-One-Retail_CD-2004-BOSS
Release date: 2004-10-07
Label Info and Catalog #: Re:Vive US
Artist/Album info:
Reading Palash's travel itinerary is like flipping through DJ Magazine's Best of
International Clubbing issue-his destinations are the world's most elite clubs.
In fact, that very magazine accompanied him through Greece and dedicated a
feature to his DJTravels last summer. Dedicated followers of this DC-based jock
have packed the houses at Pacha in Spain, Israel and Argentina, Bedrock and
Turnmills in London, Homeland, Crobar in Chicago, Twilo, Sound Factory and the
opening party for Avalon in New York City. He rocked the floors of Asia
super-clubs Zouk in Singapore and Womb in Tokyo. Palash enjoyed a coveted
headlining slot at the 2003 end of season, closing night party at Space in
Ibiza. His set left such a lasting, positive impression that Palash will
return to open Space's summer season in 2004.
Palash has held court in all of the great arenas where the drum leads the dance.
His sensibility in the DJ booth and in the studio has evolved from the
accumulated wisdom of watching and manipulating the effects of sound on crowds
around the world. Able to nimbly switch between CD and vinyl formats while
DJing, Palash's range of music isn't limited by a single 75-record capacity
record crate; typically he has over 300 songs at his disposal. He wields an
ever-evolving modern primitive blend of the dark drums of tribal, progressive,
pitched-down techno punctuated by evocative vocals and melodic tracers. His
mixing is as smooth and straightforward as the lines on a classic Jaguar. 7
Magazine has proclaimed Palash is "the most exciting American export since Deep
Dish." But before he played a single record outside of the US, Palash had
already proven his ability to pack dancefloors. While he was getting his start
in DC back in the early '90s, he revitalized one club night after another with
booming tribal house and enthusiastic, thirsty crowds. An early success in a
2000-capacity room rivaled the club's other top night, one promoted by an
equally dedicated entrepreneurial entertainer by the name of Sean "Puffy" Combs.
Naturally, Palash launched his own vinyl imprint, Addictive Records, to create a
home for his productions and favorite tunes. With a penchant for percussive,
groove-oriented tribal house, the Addictive releases struck a chord with the
world's best DJs.
As is usually the case, the UK labels acted on the buzz quickly. In 2002, Palash
dropped a mix for Tide Recordings. Following in the well-heeled grooves of
previous DJs in the series Steve Lawler, Lee Burridge and Danny Howells,
Tide:Edit:07 showcased Palash's warm, tribal tech-house. The creative flames
were fueled with remix work for major and indie labels. Palash's work on the
remix of Celeda's "The Underground" succeeded on an underground and above ground
level: it went to #1 on the Billboard chart. John Digweed gave the nod and hired
him for a remix of his own "Voices" for Bedrock. Then came mixes for Kylie's
"In Your Eyes" and Steve Lawler's "Rise In," to name a few. After receiving a
nomination for the 2003 DanceStar Award for Best Breakthrough DJ, Palash mixed
another CD, Addictive Beats, which found a home on Grammy Award winner Peter
Rauhofer's Star 69 Records. All studio mixes and productions aside, it is live
and in the club where Palash shines. Whether it's a 10-hour marathon set to the
never-tiring sweaty crowds of Romania or an intimate New Year's Eve set at Arc
in New York City, Palash has joined the ranks of the DJ elite through his
consummate ability to evoke instinctual, euphoric responses from crowds around
the world.
http://www.djpalash.com
*
>>> Aes_Dana_-_Memory_Shell-Retail_CD-2004-BOSS
Release date: 2004-10-10
Label Info and Catalog #: Ultimae INRE014
Artist/Album info:
New album by Aes Dana out on Ultimae Records...
Aes Dana (Vincent Villuis) is back with his third album on French Ultimae
Records. He has got a good reputation after releasing his album Season 5 in
2002 and the limited edition CD called Aftermath last year. He is known for
going deep into spacey ambient and down tempo trance. With this release you also
get a fat booklet with text and several pictures. Aes Dana delivers another
strong album full of deep, relaxing ambient and down tempo grooves. Very
different from the tribal chill we get in most psychill releases, but also very
refreshing to hear something as deep and spacey as this. Very dreamy music all
the way through. First out is a short track with slow, mystic sounds gliding in
a relaxed way. Nice and chilled intro on the album. Track 2 continues the deep,
floating soundscapes. Aes Dana always delivers very spacey sounds, with mystic
and relaxing vibes forcing us to calm down. In this track we also get some
relaxed experimental beats and a beautiful humming voice. Reminds me a bit of
the deep cold, so called arctic ambient, artists such as Biosphere etc.
produce. These tracks float over in each other so it becomes a nice journey.
Track 3 has a bit more dramatic vibe. Still totally deep and floating. You also
get a voice in this one and the track slowly builds up. After a while a relaxing
down tempo rhythm sneaks slowly into the track. A beautiful voyage into deep
ambient music. Track 4 starts totally slow, before we glide into a pumping down
tempo groove. With this kind of chill out, you can just sit and relax or take a
slow dance. This should be perfect for an early evening trance set too. Track 5
continues the deep, dark vibes. It starts with someone telling a little story,
we hear the sound of water, before we float further into more mystic vibes.
Then comes the stumpy beat back on track. Very drifting with spacey, deep
sounds all the way. Track 6 is one of my favourite tracks on this album. It has
a beautiful voice and some very nice atmospheric floating sounds. Totally
relaxing with slow, experimental, drifting beats. Track 7 has some very mystic
vocals, and almost no beats at all. Just floating deep sounds. About as deep as
ambient can get. Track 8 goes to a bit lighter level and we get more groovy
down tempo beats. Track 9 is another floating, little masterpiece with a bit
more earthy sound, still going a mystic direction. Relaxing drums and beautiful
sounds. Track 10 takes us to an even deeper, relaxing level. Perfect when you
are tired and want to listen to something really dreamy. Track 11 is originally
made by Aural Planet, but here we get a remix by Aes Dana. The original track is
on their album called Acoustic Plantation Releases, released on Flow Records
earlier this year. Aes Dana gives us a deep, relaxed version of the track, with
his typical spacey floating vibes. The last track Vincent gives us on this
album is a short finishing track floating like the intro we get on this album.
http://www.ultimae.com
http://www.psyshop.com/shop/CDs/inr/inr1cd014.html
*
>>> X-Dream_-_We_Interface-2004-MYCEL
Release date: 2004-10-13
Label Info and Catalog #: Solstice solmc-041
Artist/Album info:
For over 10 years charismatic X-Dream who has given us fresh...
...surprises, one lgendary track after another, will now release their much
anticipated new album, which has reached a state of 'Art' that embodies every
aspect of their vision, filled with an avantgard spirit.
Praised as trailblazers on pair with Juno Reactor(Matrix Reloaded) and
Hallucinogen leading a musical evolution, X.Dream are pioneers, opening doors to
the next level, seeking change with prominent creativity.
Now their spectacular 'We interface' is released worldwide from Solstice Music
in partnership with Gravity Plus records!
http://www.solstice23.com
http://www.psyshop.com/shop/CDs/sol/sol1cd013.html
*
>>> VA_-_Macao_Cafe_Vol.4-2004-UPE
Release date: 2004-10-13
Label Info and Catalog #: Etnicanet ET 013CD
Artist/Album info:
Macao Cafe 4 Is The Latest Instalment In The Series Of Lounge-Downbeat
Compilations From Etnicanet, Presenting Experimental Material And Approaching
New Musical Directions. Compiled By Max Lanfranconi Macao 4 Is A Balearic Lounge
Collection Of Ambience & Grooves To Ease A Tortured Soul Or Just Chill You Out
Man!
http://www.macaocafe.com
http://www.etnicanet.net
http://www.psyshop.com/shop/CDs/etn/etn1cd912.html
*
>>> VA_-_Psycho_Cell-2004-UPE
Release date: 2004-10-13
Label Info and Catalog #: Discovalley DVRCD03
Artist/Album info:
Discovalley Records proudly present the 3rd compilation Psycho Cell.
All dark killer twisted 9 trax will deliver the real psychedlica to your cells.
No need to think, just feel it!
One of the most leading artist, azax syndrome, the real king of the night
Kindzadza, unique Israel sound seroxat, para halu will surprise you for sure for
their new deep psychedelic sounds.
2 very impressive and promising new artists, kemic-al and brain waves. You will
hear the ability of psychotic micro.
This CD is a strong message from GOA!
http://www.discovalleyrecords.com
http://www.psyshop.com/shop/CDs/djv/djv1cd003.html
*
>>> VA_-_New_Blood-2004-UPE
Release date: 2004-10-13
Label Info and Catalog #: Timecode TCCD10
Artist/Album info:
Let New Blood rush through you veins and feel the quickening. For Timecode’s
tenth release Mysterious Grandmaster Phyx reveals his nightshaded underworld.
Dark, dangerous and beautiful. Pure seduction.
A compilation saturated with sanguine psytrance & oozing with high energy.Feel
the sounds, taste the smells – the sense of another world….**
http://www.timecode.co.za
*
________________________________________________________________________________
+ Remember, It's all about the Muzzik! +