Magix Samplitude FX Suite VST v1.0   by AiR

▄▄ ▄▄▄ ▀▀ ▄▄██▀ ▄▄█▀ ▄▄██████▄ ▄▄█▀███▀ ▄██▀ ▄██▀▀ ▀███ ▄█▀ ▄▄█▀▀ ▄███ ▄███ ▄█████▄▄▄██▀▀ ▀█▄ ▀██▄▄▄ ▄▄▄████▀▀▀████ ▄███ ▄███▀█▄▄▄▄ ▄▄▄██▀ ▀███████████▀▀ ▀███ ▀███▄ ▀▀█▄ ▀▀▀████████████▀ ▄▄███▄▄▄ ▀▀▀▀▀ ▄ ▀▀█▄▄ ▀▀▀▀ ▄ ▀▀▀▀▀▀ ▄▄▄███▄▄ ▄███▀▀▀▀███▄▄▄ ▄▄▄██▀ ▀██▄▄▄ ▄▄▄███▀▀▀▀███▄ ███ ▀▀▀▀▀▀▀ PROUDLY PRESENTS ▀▀▀▀▀▀▀▀ ███ ██▄ ▄██ █▄ Magix.Samplitude.FX.Suite.VST.v1.0 ▄█ █ █ ▀█ █▀ █ SUPPLIER ..: TEAM AiR █ █ PROTECTION : SERIAL █ █ SIZE ......: 02 * 4,77MB █ █ DATE ......: 02/2007 █ █ █ █ MAGIX presents three VST effect plug-in collections █ █ for Windows: AM | Suite (Analogue Modelling Suite), █ █ VE | Suite (Vintage Effects Suite) and VariVerb Pro █ █ (VARIable reVERB). The release of these plug-ins █ █ enable you to use the effect plug-ins already █ █ integrated into MAGIX' flagship products Sequoia and █ █ Samplitude in any other VST-enabled audio products █ █ for the first time. █ █ █ █ AM | Suite - Analogue Modelling Suite █ █ █ █ The Analogue Modelling Suite features three audio █ █ tools based on replicas of classic circuit designs: █ █ am-track analogue compressor, am-pulse transient █ █ designer and am-phibia pre-amp / channel strip: █ █ █ █ am-track is a combination of an analogue compressor █ █ and a tape simulator in one single device. It is █ █ primarily used for so-called "tracking", i.e. editing █ █ individual channel strips or subgroup signals. █ █ Compression can be executed either as modern or █ █ "vintage". With emulation of the tape machine sound, █ █ typical aspects of the large, saturated sound █ █ characteristics of the magnetic recording for the █ █ hard disk studio can be made reality at low costs and █ █ high quality. █ █ █ █ am-pulse is a "transient modeler", a creative tool █ █ for editing envelope and sustain processes on █ █ percussive or dynamic signals. Furthermore, the █ █ signal can be subtly "analogued" or considerably █ █ distorted by modulating the subsequent tube █ █ saturation and treble exciter sections. █ █ █ █ am-phibia is a tube amplifier/channel strip. It █ █ combines an optical compressor with a pre and post █ █ filter unit. As a result of the various different █ █ filter circuits, the device can be varied to a large █ █ extent and used as a vocal pre-amp, tube guitar █ █ amplifier or to create "warmer" sound characteristics █ █ according to the input signal and audio style. █ █ █ █ The plug-ins in the Analogue Modelling Suite █ █ recognize the number of incoming signals and can █ █ function automatically in mono to reduce processor █ █ strain by preventing the sending of another signal █ █ for calculation. █ █ █ █ VE | Suite - Vintage Effects Suite █ █ █ █ The Vintage Effects Suite includes three plug-ins, █ █ CORVEX, ECOX and FILTOX, a chorus/flanger, delay and █ █ filter plug-in. █ █ █ █ CORVEX, ECOX and FILTOX are each based on the same █ █ basic handling principle: as required, a modulator █ █ (LFO) controls almost all knobs accessible via the █ █ "frontplate". This principle enables an almost █ █ inexhaustible supply of forms for sound design from █ █ subtle to crazy distortion effects. For example, on █ █ normal guitar choruses: with CORVEX you can have the █ █ sound travel through the room by changing a few █ █ modulation settings, with ECOX you can reinvigorate █ █ old tape echoes, and with FILTOX you can add more █ █ power to weaker drum loops. █ █ █ █ VariVerb Pro █ █ █ █ VariVerb Pro (short for: VARIable reVERB) is a high █ █ -quality reverb plug-in that runs on an algorithmic █ █ basis. It provides a series of rooms, halls, reverb █ █ plates, spring reverbs and so-called non-linear █ █ effects, which can be edited comprehensively and █ █ easily. █ █ █ █ "Algorithmic" refers to the reverb impression not █ █ being created using impulse responses, as is often █ █ the case nowadays. Instead the calculation is based █ █ on mathematic models, like with classic reverb █ █ devices. With VariVerb these algorithms can be chosen █ █ via a "model" list, each specialized on a specific █ █ replica or a specific purpose and given its own set █ █ of parameters. On the other hand, technology based on █ █ convolution is only able to interpret a static copy █ █ of a process, it doesn't know the room. █ █ █ █ The algorithms: █ █ █ █ Room A: Small to medium-sized room, dampening of the █ █ low frequencies, immediate response, high █ █ density/diffusion. █ █ █ █ Room B: Room similar to A, less dampening, slightly █ █ different reflection pattern, responding a bit █ █ slower. █ █ █ █ Hall A: Larger hall, slower reverb buildup, less █ █ density than the "rooms". █ █ █ █ Hall B: Similar to hall A but later response of the █ █ reflection, slightly "colder" sound. █ █ █ █ Retro Room: Classic room effect in the style of well █ █ -known hardware reverb devices from the 80s/90s. More █ █ artificial algorithms than the previous methods. The █ █ vintage/retro character takes center stage here, █ █ definitely an "effect" sound. █ █ █ █ Retro Hall: Type of creation like retro room, but █ █ this is a classic hall effect with the corresponding █ █ reflection pattern. Thick, cloud-like reverberation █ █ tail. █ █ █ █ Plate A: Classic reverb plate, high diffusion, quite █ █ "dark" and "heavy", slight panorama effects. █ █ █ █ Plate B: Reverb plate similar to A but with lighter █ █ character, faster response. █ █ █ █ NonLin Gate: Non-linear reverb, no sustain but abrupt █ █ end instead (classic "gated" reverb effect). █ █ █ █ NonLin Reverse: Reverb with reversed amplitude, sound █ █ impression played such as "backwards". █ █ █ █ Spring A: Model of a reverb spiral with two linked █ █ spring systems, typical echo effects and excitation █ █ noise. █ █ █ █ Spring B: Similar to spring A; however, the vibration █ █ is "softer". █ █ █ █ HQ Room A/B & Hall A/B: Extremely high quality and █ █ very complex simulation, which, however, is █ █ associated with high processor strain. Nevertheless, █ █ or maybe because of it, it's the definitive "main █ █ reverb" algorithm. Very plastic, tangible room █ █ impression with free positioning of the sound source █ █ and the listening location. Here, the A and B models █ █ differ slightly from one another like in the regular █ █ room and hall algorithms, that is, HQ room A provides █ █ somewhat different dimensions and different █ █ composition than B. With the HQ halls, hall B █ █ communicates with A later and sounds slightly more █ █ complex. █ █ █ █ █ █ █ █ http://www.samplitude.com/ █ █ █ █ █ █ █ █ Installation Notes : █ █ -------------------- █ █ █ █ 1) Unzip, Unrar and run Setup.exe █ █ █ █ 2) Enjoy this fine Team AiR release !!! █ █ █ █ █ █ █ █ █ ▄█ █▄ ▄█ █▄ ▄█▀ ▀█▄ ▄██▀ ▀██▄ ███ ███ ▀██▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄ ▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄██▀ ▀▀███▄▄▄▀▀ nFO lAYOUT (c) 2006 bEARCAVE-dESIGN ▀▀▄▄▄███▀▀