IZotope Ozone VST DX RTAS v3.09 including KeyGen   by Beat

▄■ ▄■ ▄■ ▄■ ▄▄███▄▄▄▄▄▄▄▄▄ ▄▄███▄▄▄▄▄▄▄▄ ▄███▄▄▄▄▄▄▄ ▄▄███▄ ▐██████▀▀▀█████▄ ▀██████▀▀▀████▄ ▀███████████ ▀█████▄ ░░██████▌░ ░▀█████▌░█████▌░ ░▀████ ▐██ ░▀█████▌ ▐█████ ░░░░ ░░░░ ░░░ ███████░ ░░▐█████▌██████ ░░░▐███▌ ██▌░░▐█████░▐█████░ ░ ░░░ ░░ ▒ ▒▒▐██████ ▒ ▄█████▀▒▐█████▄▒▒ ▀█▀▒▐███ ▒ █████▌▒█████▒▒▄■ ▒ ▒▒ ▒ ▒▒ ▒██████■██▀▀▀▀▒▒ ▒▒███████▄▒ ▒▒▄████▄▄▒▐████▌ ███████▀▒▒▒ ▒▒ ▒▒ ▒ ▒▒ ██████▒ ▀▀███▄▄▒▒ █████▒▒▀■▒▒ ▐██████▀▀■████▌▒█████▀▒ ▒ ▒ ▒▒ ░ ░░ ░██████▌ ░ ▐█████░░█████▌░ ░ ░██████▌░ ░████▌ █████ ░░██▄▄ ░ ░ ░░░▐███████░ ░░█████▌▐██████▄░░░ ██████▌ ░ █████░▐████░░░ ▐████▌░ ██▀▀█████▄▄██████▌███████████▄ ██████ ▀████▄ █████ ▐████ <MT>▀▀▀█████████▄ ▀██▀▀▀████▄ ▀██▀ ▐████▄ ████▌ ▄▄███▀ ┌───────────────▀▀▀██▄────────▀▀█▄─────────────▀▀█▄─██████▀▀───┐ ├────────────────────▀───────────▀────────────────▀────────────┤ ■───┘ B E A T P R O U D L Y P R E S E N T S: └───■ └──────────────────────────────────────────────────────────────────────┘ .......IZotope.Ozone.VST.DX.RTAS.v3.09.incl.KeyGen-BEAT....... Date.: 0719 2006 Supplier.: Team BEAT Disk.: [xx/04] Cracker..: Team BEAT Type.: VST/DX/RTAS URL..: http://www.izotope.com ■ ┌──────────────────────────────────────────────────────────────┐ ■ ├───┘ R E L E A S E N O T E S └───┤ └──────────────────────────────────────────────────────────────────────┘ Complete mastering effects system using 64-bit analog modeled processing. Key Features - complete professional mastering solution - 64-bit internal processing - combines analog modeling warmth & digital linear-phase precision - intuitive graphical user interface - extensive graphical metering The Commercial Sound Ozone 3 includes all the tools you need to master the commercial sound in seconds. Professionally designed presets and the acclaimed Ozone Mastering Guide walk you step by step through making radio-ready masters. The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good sounding mix and a professional sounding master. Ozone includes integrated tools for each step of the process: add broad equalization to balance the tone, multiband compression to control the dynamics, harmonic excitation to inject punch and sparkle, stereo imaging to sculpt the sound stage, loudness maximization to raise the level of the entire track to the standard for commercial use, and dither to maintain every last bit of quality. Since Ozone was designed to address the mastering process, all the components work together to help you put that final professional sound on a project. With Ozone 3, be prepared to love your sound. Professionally Designed Presets Ozone 3 ships with a wide array of presets for many mastering situations. Get immediate results by auditioning several presets to find the closet fit. Spend less time tweaking and more time producing. For more control, mix and match preset settings using the advanced preset manager. Visit the iZotope web site, and learn tricks of mastering from the presets and Mastering Guide. 7 Plug-ins in 1 Integrated Interface Mastering requires a specific set of tools, and Ozone 3 has them all. Rather than a bundle of separate plug-ins, Ozone 3 is a single integrated system. This integration allows for a logical, optimized interface and superior sound quality not possible with a chain of independent plug-ins. With extensive metering, an integrated preset system, and full undo history, Ozone surpasses standard “plug-in” expectations to streamline workflow, save time, and keep you focused on creative work. Analog Modeling Ozone is the result of extensive research in analog modeling. Ozone provides compression, equalization, and harmonic excitation that recreate the behavior exhibited by analog equipment. Analog processing has certain nonlinear aspects that a mathematician would consider "wrong" but sound better musically. Any analog equalizer, for example, applies a small phase delay to the sound. These types of “imperfections” provide the analog characteristics of warmth, sparkle, depth, and an overall pleasing sound. Ozone captures the essence of analog gear to deliver sweet sounding masters. Digital Precision While analog modeling can provide a pleasant character or “colorization” to the sound, in some situations precise or “transparent” signal processing is desired. For example, you may wish to equalize or notch out a frequency without introducing the phase delay inherent in analog filters. For these applications, Ozone provides a digital, linear phase equalizer and crossover for a level of surgical precision not possible in analog hardware. 64-bit Audio Processing When processing audio, Ozone can perform thousands of calculations on a single sample. In a digital system, each of these calculations has a finite accuracy, limited by the number of bits used in the calculation. To avoid rounding errors from interfering with the audible portion of the audio, Ozone performs each calculation using 64 bits. Can you hear 64 bits? No, but that’s the point. The rounding errors (inherent not just in Ozone but in any digital system) are pushed down into the inaudible range with Ozone. Usability Enhancements: Undo and History Ever have a late night recording session only to wake up in the morning with a tinny, horrible-sounding master? Audio fatigue is a real problem, and in this situation you would have to scrap the work and re-master the track. Ozone 3 addresses this problem with the ability to undo any and all parameter changes – even between sessions! As you tweak controls, each movement is captured and displayed in the History list. To hear a previous setting, simply click up the list to the point you want to audition. When working with mastering effects, perhaps most notably EQ and dynamics, it’s very easy to get accustomed to the “new” sound and overdo the effect. The History list lets you quickly jump back for comparisons to refresh your “auditory memory”. Paragraphic EQ - analog modeled, linear phase and matching EQ - 8 fully adjustable filter nodes - spectrum overlay for instant visual feedback Balance Your Tone Ozone includes a paragraphic equalizer that combines 6 bands of adjustable notch filters and low/high shelf filters. - Choose from analog modeled EQ with "soft saturation" modeling or digital linear phase filtering with up to 16,000 bands of precision. - Compare your mixes with a powerful spectrum analyzer that offers real time and average modes, critical or third octave bands and snapshots. - Use spectrum snapshots of recordings to create "automatic" EQ curves. Multiband Harmonic Exciter - up to 4 bands of harmonic excitation - switch between analog modeled or digital crossover filters - controls for amount, mix and delay Inject Punch and Sparkle Ozone provides a multiband harmonic exciter modeled after tube saturation phenomenon which is caused by a tube saturating and creating harmonics. There are many ways to do harmonic excitation, but we feel that the tube saturation model provides the most natural sounding excitation. - Choose from retro, tape or tube modeled excitation with adjustable amount and mix controls for each band. - Unique multiband time offset controls for tightening and adding "attack" to bass and kick. Multiband Dynamics - up to 4 bands of limiting, compression and expansion - analog modeled and linear phase crossover filters - gain reduction meters, level histogram and spectrum analyzer for visual feedback Control Your Dynamics One of most powerful modules in Ozone is the multiband dynamics section. You can use this module to compress, expand, and limit four independent bands. - Real time visualization of the dynamics within each band, including gain reduction meters, level histograms and X-Y compression curves. - Analog or digital linear phase crossovers with adjustable Q (bandwidth). - Controls for comparing "gain when bypassed", offsetting overall band gain and muting, bypassing and solo'ing individual bands. Multiband Stereo Imaging - up to 4 bands of stereo widening - vectorscope and phase correlation meter - options for mono, phase flip and channel reverse Sculpt the Sound Stage Ozone allows you set widening and imaging for the mix using a multiband stereo imaging module. As with the other multiband modules in Ozone (Dynamics and Harmonic Exciter) the module is split up into four bands determined by the multiband crossover points displayed on the spectrum. - Visualize the stereo image with a powerful phase/channel meter display that highlights imaging, phase and potential canceling problems - Apply multiband channel delay controls for adjusting the perceived location of the stereo field or correcting tape azimuth errors. Mastering Reverb - plate and room reverbs - vectorscope and phase correlation meter - options for mono, phase flip and channel reverse - solo processed signal - graphic control over cutoffs - room size, damping and width Add a Coat of Gloss Ozone includes a high quality 64-bit reverb module that can add a consistent sense of depth and space to a mix. It is designed to put a final gloss or sheen on the entire mix while still preserving the sense of space that may have been created by using reverbs on individual tracks. - Selectable plate or room modeling algorithms for "studio" or "acoustic" ambience. - Control room size, predelay, width, frequency cutoff and more - Special controls for solo'ing the wet signal, adjusting the frequency response and monitoring the width and phase of the reverb signal. Loudness Maximizer - maintain uniform levels with less distortion - character control for more, or less, transparent limiting - visualize your changes with level histogram and gain reduction meter Raise Your Levels The loudness maximizer allows you to create an overall louder or fuller master by limiting the dynamic range and boosting the perceived overall level of the mix. - Intelligent release control technology with predictive limiting of "intersample clipping". - Adjustable threshold, margin, release and character controls. - Visual feedback provided through limiting gain reduction meters and overall loudness histograms. Dither - proprietary MBIT+ noise-shaped dither - DC offset, auto-blanking, peak limiting and harmonic suppression - bit meter and DC offset meter for visual feedback and troubleshooting your mix Smooth Dynamic Response Ozone allows you to effectively convert and dither to 24, 20, 16, 12 or 8 bits. This is useful for mastering a track for CD (16 bit) from a 24 bit source, for example. - Choose from three types of noise shaped dither algorithms. - Integrated DC offset filtering, auto-blanking and dither harmonic suppression for dynamic and transparent conversions. - Unique set of bit scopes and DC level meters provide a complete view of the digital bitstream and conversion process. Ozone 3 introduces our proprietary MBIT+ dither algorithm that reduces quantization distortion with minimal perceived noise. While this might sound like a paradox, this additional dither algorithm is a very smooth, quiet and almost "analog sounding" technology. For those who know dither, this is an evolution of the ExtraBit/MegaBitMax algorithm developed by Alexey Lukin (who is now a part of the iZotope team). If you're not familiar with this technology, the ExtraBit/MegaBitMax algorithm has received considerable attention from an online listening test put together by 24-96 Mastering Studios. You can try it out or view the results on their site. Features - unlimited undo with history - filter graph for rearranging Ozone modules - integrated preset manager - Alt + Click Solo EQ We do things a little differently. Little things that process audio with higher quality sound. Little things that help you use effects more efficiently. Little things that make effects fun to use. Little things that make a difference. - 64 bit processing. Tight precision and extreme dynamics. - History and Undo. Experiment. Undo. Go back. - Preset Manager. Sort by name or last used. Add comments to presets. Take part of one preset and assign it to another preset. Update a preset with a single click. - Meters. Spectrums, third octave, critical bands. Dynamics histograms. Peak or RMS level meters. - Extensive shortcut key and wheel mouse support Options that let you customize functionality, UI, CPU usage and more. - Alt (Option) + Click to solo a specific frequency range in Ozone's EQ. ■ ┌──────────────────────────────────────────────────────────────┐ ■ ├───┘ I N S T A L L N O T E S └───┤ └──────────────────────────────────────────────────────────────────────┘ 1) Run iZotope_Ozone_Setup_v3_09.exe to install 2) Use KeyGen.exe to generate a response code ____ _________ ______ ■ ┌────────/ __ )/ ____/ |/_ __/──────────────────────────────┐ ■ ├───┘ / __ / __/ / /| | / / └───┤ │Updated On/ /_/ / /___/ ___ |/ / │ `─[o8/o5]─/_____/_____/_/ |_/_/───────────[ cAN yOU fEEL tHE bEAT? ]──'